Pencil Sketches; or, Outlines of Character and MannersLeslie, Eliza
General
Pencil Sketches; or, Outlines of Character and Manners
Leslie, Eliza
Humorous stories; Short stories, American; United States -- Social life and customs -- 19th century -- Fiction
"Oh, yes; we have them at times. _N'importe_, my little Gogo; cease your
supper, you will have the better appetite for your breakfast. You shall
have an apple for your breakfast--a large, big apple. Monsieur Philippe,
permit me to help you to some of this fish; you will find it a most
excellent _farce_:[57] I have preserved it from corruption by a process
of vinegar and salt, and some charcoal. Madame Colavering, I will show
you that mode of restoring fish when it begins to putrefy: a great
chemist taught it to my assassined Alphonse."
[Footnote 57: Farce, in French cookery, signifies chopped meat, fish,
poultry, well seasoned and mixed with other ingredients.]
Uncle Philip pushed away his plate with unequivocal signs of disgust,
and moved back his chair, determined not to taste another mouthful while
he stayed in the house. Suspicious of everything, he even declined
Robertine's solicitations to take a glass of _liqueur_ which she poured
out for him, and which she assured him was genuine _parfait amour_.[58]
During supper, she had talked to him, in a low voice, of the great
superiority of the American nation when compared with the French; and
regretted the frivolity and _inconsequence_ of the French character; but
assured him that when French ladies had the honour of marrying American
gentlemen, they always lost that inconsequence, and acquired much depth
and force.
[Footnote 58: Perfect love.]
After supper, Mr. Franchimeau, who, notwithstanding his taciturnity and
_brusquerie_, was what Uncle Philip called a Jack of all trades, sat
down to an old out-of-tune piano, that stood in one of the recesses of
the back parlour, and played an insipid air of "Paul at the Tomb of
Virginia," singing with a hoarse stentorian voice half-a-dozen
namby-pamby stanzas, lengthening out or contracting some of the words,
and mispronouncing others to suit the measure and the rhyme. This song,
however, seemed to produce great effect on the French part of his
audience, who sighed, started, and exclaimed--"_Ah! quels sont touchans,
ces sentimens sublimes!_"[59]
[Footnote 59: Ah! how touching are these sublime sentiments!]
"_Ma chère amie_," continued Madame Franchimeau, pressing the hand of
Mrs. Clavering, "_permettez que je pleure un peu le triste destin de
l'innocence et de la vertu--infortuné Paul--malheureuse Virginie_;"[60]
and she really seemed to shed tears.
[Footnote 60: My dear friend, permit me to weep a little for the sad
fate of innocence and virtue--unfortunate Paul--hapless Virginia.]
Public-domain text, read in full here on John Shaqi.
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