Pencillings by the Way: Written During Some Years of Residence and Travel in EuropeWillis, Nathaniel Parker
General
Pencillings by the Way: Written During Some Years of Residence and Travel in Europe
Willis, Nathaniel Parker
Europe -- Description and travel
After several days' delay, we received an answer this morning from the
authorities, with permission to see the bridge of sighs, and the
prisons of the ducal palace. We landed at the broad stairs, and
passing the desolate court, with its marble pillars and statues green
with damp and neglect, ascended the "giant's steps," and found the
warder waiting for us, with his enormous keys, at the door of a
private passage. At the bottom of a staircase we entered a close
gallery, from which the first range of cells opened. The doors were
broken down, and the guide holding his torch in them for a moment in
passing, showed us the same dismal interior in each--a mere cave, in
which you would hardly think it possible to breathe, with a raised
platform for a bed, and a small hole in the front wall to admit food
and what air could find its way through from the narrow passage. There
were eight of these; and descending another flight of damp steps, we
came to a second range, differing only from the first in their slimy
dampness. These are the cells of which Lord Byron gives a description
in the notes to the fourth canto of Childe Harold. He has transcribed,
if you remember, the inscription from the ceilings and walls of one
which was occupied successively by the victims of the Inquisition. The
letters are cut rudely enough, and must have been done entirely by
feeling, as there is no possibility of the penetration of a ray of
light. I copied them with some difficulty, forgetting that they were
in print, and, comparing them afterward with my copy of Childe Harold,
I found them exactly the same, and I refer you, therefore, to his
notes.
In a range of cells still below these, and almost suffocating from
their closeness, one was shown us in which prisoners were strangled.
The rope was passed through an iron grating of four bars, the
executioner standing outside the cell. The prisoner within sat upon a
stone, with his back to the grating, and the cord was passed round his
neck, and drawn till he was choked. The wall of the cell was covered
with blood, which had spattered against it with some violence. The
guide explained it by saying, that owing to the narrowness of the
passage the executioner had no room to draw the cord, and to expedite
his business his assistant at the same time plunged a dagger into the
neck of the victim. The blood had flowed widely over the wall, and ran
to the floor in streams. With the darkness of the place, the
difficulty I found in breathing, and the frightful reality of the
scenes before me, I never had in my life a comparable sensation of
horror.
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