affecting to see the difficulty, and withal, the habitual apathy with which the old itinerant fastens his rope-reins beside him, and dismounts to grind his one--solitary--eternal tune, for charity. Among the thousands of wretched objects in Paris (they make the heart sick with their misery at every turn), there is, here and there, one of an interesting character; and it is pleasant to select them, and make a habit of your trifling gratuity. Strolling about, as I do, constantly, and letting everybody and everything amuse me that will, I have made several of these penny-a-day acquaintances, and find them very agreeable breaks to the heartless solitude of a crowd. There is a little fellow who stands by the gate of the Tuileries, opening to the Place Vendome, who, with all the rags and dirt of a street-boy, begs with an air of superiority that is absolutely patronizing. One feels obliged to the little varlet for the privilege of giving to him--his smile and manner are so courtly. His face is beautiful, dirty as it is; his voice is clear, and unaffected, and his thin lips have an expression of high-bred contempt, that amuses me a little, and puzzles me a great deal. I think he must have gentleman's blood in his veins, though he possibly came indirectly by it. There is a little Jewess hanging about the Louvre, who begs with her dark eyes very eloquently; and in the _Rue de la Paix_ there may be found at all hours, a melancholy, sick-looking Italian boy, with his hand in his bosom, whose native language and picture-like face are a diurnal pleasure to me, cheaply bought with the poor trifle which makes him happy. It is surprising how many devices there are in the streets for attracting attention and pity. There is a woman always to be seen upon the Boulevards, playing a solemn tune on a violin, with a child as pallid as ashes, lying, apparently, asleep in her lap. I suspected, after seeing it once or twice, that it was wax, and a day or two since I satisfied myself of the fact, and enraged the mother excessively by touching its cheek. It represents a sick child to the life, and any one less idle and curious would be deceived. I have often seen people give her money with the most unsuspecting look of sympathy, though it would be natural enough to doubt the maternal kindness of keeping a dying child in the open air in mid-winter. Then there is a woman without hands, making braid with wonderful adroitness; and a man without legs or arms, singing, with his hat set appealingly on the ground before him; and cripples, exposing their abbreviated limbs, and telling their stories over and over, with or without listeners, from morning till night; and every description of appeal to the most acute sympathies, mingled with all the gayety, show, and fashion, of the most crowded promenade in Paris.