Penelope : $b or, Love's labour lost. A novel. Volume 2 (of 3)Scargill, William Pitt
General
Penelope : $b or, Love's labour lost. A novel. Volume 2 (of 3)
Scargill, William Pitt
England -- Social life and customs -- 19th century -- Fiction
With this resolution he returned home; as he thought that it might be
more advisable to communicate his intention to the parties concerned
by letter than by word of mouth. Probably his lordship might imagine
that, if thus Mr Primrose were made acquainted with the magnificent
offer that awaited his daughter's acceptance, paternal pride would be
gratified, and paternal authority might be added to other motives,
inducing the young lady's compliance. Lord Spoonbill was by no means
fastidious as to the manner in which he gained his object, provided
that the object was gained.
His lordship dined that day at home. During dinner he was silent, and
looked almost sulky. The Earl and Countess inferred from these looks
that their hopeful son was on the eve of saying or doing something not
very agreeable to his parents; for he most usually prefaced an act
of opposition to their will by putting himself into an ill-humour.
This is a refined piece of domestic tactics. None however but spoiled
children can use it with proper dexterity and complete success. When a
wife wishes to persuade her husband out of his senses, or to guide him
against his better judgment, her prelude is generally an extraordinary
degree of sweetness, and her preface is made of witching smiles; and
then the husband thinks that it would be cruel to convert such smiles
into tears, and he passively yields to the power of the silent logic
of the laughing eye. But the policy of a great overgrown booby is
different. The spoiled blockhead knows that no art of his can give
extra loveliness to his looks in the eyes of his fond parents. His own
precious numskull is to them the ne plus ultra of human excellence.
But if that sweet face is darkened by a frown, and if the dear pet is
sulky, cross-grained, and ill-humoured, then anything and everything
must be conceded to bring him back to his good-humour again.
"Spoonbill, are you unwell?" said Lord Smatterton.
"No," replied Spoonbill in a style of sulky abruptness, which Tony
Lumpkin himself might have envied.
"You seem to be quite out of spirits to-day:" said the Countess, in one
of her most agreeable and winning tones.
"One cannot be always laughing and talking," was the uncourteous and
ungrateful reply.
Then followed a long pause. The Earl and Countess scarcely dared
to speak to each other, and Lord Spoonbill pertinaciously held his
peace. Now such a state of things cannot last long; it is absolutely
unbearable. Very soon after the servants had left the room, as the
young man's silence and sulkiness yet continued, Lord Smatterton, who
thought himself a bit of a politician, gave her ladyship a hint to
indulge them with her absence.
When they were alone, the Earl of Smatterton thus addressed his hopeful
son: "Spoonbill, I fear that something is preying upon your mind. May I
be permitted to know what it is that disturbs you?"
Public-domain text, read in full here on John Shaqi.
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