Penelope : $b or, Love's labour lost. A novel. Volume 3 (of 3)Scargill, William Pitt
General
Penelope : $b or, Love's labour lost. A novel. Volume 3 (of 3)
Scargill, William Pitt
England -- Social life and customs -- 19th century -- Fiction
Lord Spoonbill very readily accounted for what appeared to him as the
ready compliance of Penelope, by referring it to the circumstances
of the desertion of Robert Darnley, and the perplexed condition of
her father’s affairs. His lordship also took it into his head that Mr
Primrose had designedly misrepresented the condition of his property,
and therefore his lordship affected to be mightily angry with him,
and to think that it would be but a proper and suitable retaliation to
deceive the unwary daughter.
This was a curious mode of reasoning, but a very slight shadow of
apology will serve to satisfy a gentleman of such habits and pursuits
as the heir apparent to the earldom of Smatterton. Besides, if a man
is resolved on an act of treachery and meanness at all events, what
signifies the strength or weakness of the apology which he makes to
himself? The most logical apology is no excuse to the world, and the
most illogical is a very good one to himself.
CHAPTER IX.
When a lady of such temperament as Lady Aimwell takes upon herself
the trouble of going into a fit of the sullens, though she may in the
first instance be speechless and even resolve not to open her lips
upon the subject of her wrath, or to utter any expressions of anger
against the object of her indignation, yet she finds at the last that
there is no other mode of getting rid of the oppressive burden than
by throwing it off in words. In like manner, also, when two gentlemen
quarrel about any subject, whether it be geology, or theology, and they
cannot convince one another, then they are angry and sulky, and they
treat one another with what they call silent contempt, and yet they
make a mighty noise and a great trumpeting about the silence of their
contempt. So again, when an author who has written the best possible
book on any subject, and another author reviews that same book and
proves by most ingenious argument that it is utterly worthless, the
writer of the book runs about among the circle of his acquaintance
foaming at the mouth to shew how cool he is, and dinning every one’s
ears with the noise that he makes in proclaiming his silent contempt
of the scrub who has criticized him. And what else can he do? Who is
to know anything of the existence of silent contempt unless it be
advertized? We have heard the phrase, “proclaiming silence;” it has its
origin perhaps in this silence of contempt, which by the way seems to
be rather a contempt of silence.
If the reader does not by this time understand the state of mind
in which Lady Aimwell was, on the occasion referred to, he must be
obtuse; if he does not pity Arabella Glossop, he must be inhuman and
unfeeling.
Public-domain text, read in full here on John Shaqi.
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