Penelope's Progress: Being Such Extracts from the Commonplace Book of Penelope Hamilton As Relate to Her Experiences in ScotlandWiggin, Kate Douglas Smith
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Penelope's Progress: Being Such Extracts from the Commonplace Book of Penelope Hamilton As Relate to Her Experiences in Scotland
Wiggin, Kate Douglas Smith
Americans -- Scotland -- Fiction; Scotland -- Social life and customs -- 19th century -- Fiction
After presentation, each person has fifteen or twenty feet of awful
space to traverse in solitary and defenseless majesty; scanned
meanwhile by the maids of honor (who, if they were truly honorable,
would turn their eyes another way), ladies-in-waiting, the sacred
group in the rear, and the Purse-Bearer himself. I had supposed that
this functionary would keep the purse in his upper bureau drawer at
home, when he was not paying bills, but it seems that when on
processional duty he carries a bag of red velvet quite a yard long
over his arm, where it looks not unlike a lady's opera-cloak. It would
hold the sum total of the moneys disbursed, even if they were reduced
to the standard of vulgar copper.
Under this appalling fire of inspection, some of the victims waddle,
some hurry; some look up and down nervously, others glance over the
shoulder as if dreading to be apprehended; some turn red, others pale,
according to complexion and temperament; some swing their arms, others
trip on their gowns; some twitch the buttons of a glove, or tweak a
flower or a jewel. Francesca rose superior to all these weaknesses,
and I doubt if the Gallery of the Kings ever served as a background
for anything lovelier or more high-bred than that untitled slip of a
girl from "the States." Her trailing gown of pearl-white satin fell in
unbroken lustrous folds behind her. Her beautiful throat and shoulders
rose in statuesque whiteness from the mist of chiffon that encircled
them. Her dark hair showed a moonbeam parting that rested the eye,
wearied by the contemplation of waves and frizzes fresh from the
curling-tongs. Her mother's pearls hung in ropes from neck to waist,
and the one spot of color about her was the single American Beauty
rose she carried. There is a patriotic florist in Paris who grows
these long-stemmed empresses of the rose-garden, and Mr. Beresford
sends some to me every week. Francesca had taken the flower without
permission, and I must say she was as worthy of it as it of her.
She curtsied deeply, with no exaggerated ceremony, but with a sort of
innocent and childlike gravity, while the satin of her gown spread
itself like a great blossom over the floor. Her head was bowed until
the dark lashes swept her crimson cheeks; then she rose again from the
heart of the shimmering lily, with the one splendid rose glowing
against all her dazzling whiteness, and floated slowly across the
dreaded space to the door of exit as if she were preceded by invisible
heralds and followed by invisible train-bearers.
"Who is she?" we heard whispered here and there. "Look at the rose!"
"Look at the pearls! Is she a princess or only an American?"
I glanced at the Reverend Ronald. I imagined he looked pale; at any
rate, he was biting his under lip nervously and I believe he was in
fancy laying his serious, Scottish, allopathic, Presbyterian heart at
Francesca's gay, American, homoeopathic, Swedenborgian feet.
Public-domain text, read in full here on John Shaqi.
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