Penelope's Progress: Being Such Extracts from the Commonplace Book of Penelope Hamilton As Relate to Her Experiences in ScotlandWiggin, Kate Douglas Smith
General
Penelope's Progress: Being Such Extracts from the Commonplace Book of Penelope Hamilton As Relate to Her Experiences in Scotland
Wiggin, Kate Douglas Smith
Americans -- Scotland -- Fiction; Scotland -- Social life and customs -- 19th century -- Fiction
"'Perilously' is just the word," chimed in Francesca delightedly;
"when you care for a place you grow porous, as it were, until after a
time you are precisely like blotting-paper. Now, there was Italy, for
example. After eight weeks in Venice you were completely Venetian,
from your fan to the ridiculous little crepe shawl you wore because an
Italian prince had told you that centuries were usually needed to
teach a woman how to wear a shawl, but that you had been born with the
art, and the shoulders! Anything but a watery street was repulsive to
you. Cobblestones? 'Ordinario, duro, brutto! A gondola? Ah,
bellissima! Let me float forever thus!' You bathed your spirit in
sunshine and color; I can hear you murmur now, 'O Venezia benedetta!
non ti voglio lasciar!'"
"It was just the same when she spent a month in France with the
Baroness de Hautenoblesse," continued Salemina. "When she returned to
America it is no flattery to say that in dress, attitude, inflection,
manner, she was a thorough Parisienne. There was an elegant
superficiality and a superficial elegance about her that I can never
forget, nor yet her extraordinary volubility in a foreign
language,--the fluency with which she expressed her inmost soul on all
topics without the aid of a single irregular verb, for these she was
never able to acquire; oh, it was wonderful, but there was no
affectation about it; she had simply been a kind of blotting-paper, as
Miss Monroe says, and France had written itself all over her."
"I don't wish to interfere with anybody's diagnosis," I interposed at
the first possible moment, "but perhaps after you've both finished
your psychologic investigation the subject may be allowed to explain
herself from the inside, so to speak. I won't deny the spell of Italy,
but I think the spell that Scotland casts over one is quite a
different thing, more spiritual, more difficult to break. Italy's
charm has something physical in it; it is born of blue sky, sunlit
waves, soft atmosphere, orange sails and yellow moons, and appeals
more to the senses. In Scotland the climate certainly has naught to do
with it, but the imagination is somehow made captive. I am not
enthralled by the past of Italy or France, for instance."
"Of course you are not at the present moment," said Francesca,
"because you are enthralled by the past of Scotland, and even you
cannot be the slave of two pasts at the same time."
"I never was particularly enthralled by Italy's past," I argued with
exemplary patience, "but the romance of Scotland has a flavor all its
own. I do not quite know the secret of it."
"It's the kilts and the pipes," said Francesca.
"No, the history." (This from Salemina.)
"Or Sir Walter and the literature," suggested Mr. Macdonald.
"Or the songs and ballads," ventured Jean Dalziel.
Public-domain text, read in full here on John Shaqi.
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