Penelope's Progress: Being Such Extracts from the Commonplace Book of Penelope Hamilton As Relate to Her Experiences in ScotlandWiggin, Kate Douglas Smith
General
Penelope's Progress: Being Such Extracts from the Commonplace Book of Penelope Hamilton As Relate to Her Experiences in Scotland
Wiggin, Kate Douglas Smith
Americans -- Scotland -- Fiction; Scotland -- Social life and customs -- 19th century -- Fiction
You come to it by turning the corner from the inn, first passing the
cottage where the lady wishes to rent two rooms for fifteen shillings
a week, but will not give much attendance, as she is slightly
asthmatic, and the house is always as clean as it is this minute, and
the view from the window looking out on Pettybaw Bay canna be
surpassed at ony money. Then comes the little house where Will'am
Beattie's sister Mary died in May, and there wasna a bonnier woman in
Fife. Next is the cottage with the pansy garden, where the lady in the
widow's cap takes five o'clock tea in the bay window, and a snug
little supper at eight. She has for the first scones and marmalade,
and her tea is in a small black teapot under a red cozy with a white
muslin cover drawn over it. At eight she has more tea, and generally a
kippered herring, or a bit of cold mutton left from the noon dinner.
We note the changes in her bill of fare as we pass hastily by and feel
admitted quite into the family secrets. Beyond this bay window, which
is so redolent of simple peace and comfort that we long to go in and
sit down, is the cottage with the double white tulips, the cottage
with the collie on the front steps, the doctor's house with the yellow
laburnum tree, and then the house where the Disagreeable Woman lives.
She has a lovely baby, which, to begin with, is somewhat remarkable,
as disagreeable women rarely have babies; or else, having had them,
rapidly lose their disagreeableness,--so rapidly that one has not time
to notice it. The Disagreeable Woman's house is at the end of the row,
and across the road is a wicket gate leading--Where did it lead?--that
was the very point. Along the left, as you lean wistfully over the
gate, there runs a stone wall topped by a green hedge; and on the
right, first furrows of pale fawn, then below, furrows of deeper
brown, and mulberry, and red ploughed earth stretching down to waving
fields of green, and thence to the sea, gray, misty, opalescent,
melting into the pearly white clouds, so that one cannot tell where
sea ends and sky begins.
There is a path between the green hedge and the ploughed field, and it
leads seductively to the farm-steadin'; or we felt that it might thus
lead, if we dared unlatch the wicket gate. Seeing no sign "Private
Way," "Trespassers Not Allowed," or other printed defiance to the
stranger, we were considering the opening of the gate, when we
observed two female figures coming toward us along the path, and
paused until they should come through. It was the Disagreeable Woman
(though we knew it not) and an elderly friend. We accosted the friend,
feeling instinctively that she was framed of softer stuff, and asked
her if the path were a private one. It was a question that had never
met her ear before, and she was too dull or too discreet to deal with
it on the instant. To our amazement, she did not even manage to
falter, "I couldna say."
"Is the path private?" I repeated.
Public-domain text, read in full here on John Shaqi.
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