Penelope's Progress: Being Such Extracts from the Commonplace Book of Penelope Hamilton As Relate to Her Experiences in ScotlandWiggin, Kate Douglas Smith
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Penelope's Progress: Being Such Extracts from the Commonplace Book of Penelope Hamilton As Relate to Her Experiences in Scotland
Wiggin, Kate Douglas Smith
Americans -- Scotland -- Fiction; Scotland -- Social life and customs -- 19th century -- Fiction
She looked in at the various doors casually as she passed up and down
the stairs,--all save that of the dining-room, which Francesca had
prudently locked to conceal the fact that we had covered the family
portraits,--and I noticed at the time that her face wore an expression
of mingled grief and astonishment. It seemed to us afterward that
there was a good deal more passing up and down the loaning than when
we first arrived. At dusk especially, small processions of children
and young people walked by our cottage and gave shy glances at the
windows.
Finding Miss Grieve in an unusually amiable mood, I inquired the
probable cause of this phenomenon. She would not go so far as to give
any judicial opinion, but offered a few conjectures.
It might be the tirling-pin; it might be the white satin ribbons on
the curtains; it might be the guitars and banjos; it might be the
bicycle crate; it might be the profusion of plants; it might be the
continual feasting and revelry; it might be the blazing fires in a
Pettybaw summer. She thought a much more likely reason, however, was
because it had become known in the village that we had moved every
stick of furniture in the house out of its accustomed place and taken
the dressing-tables away from the windows,--"thae windys," she called
them.
I discussed this matter fully with Mr. Anstruther later on. He laughed
heartily, but confessed, with an amused relish of his national
conservatism, that to his mind there certainly was something radical,
advanced, and courageous in taking a dressing-table away from its
place, back to the window, and putting it anywhere else in a room. He
would be frank, he said, and acknowledge that it suggested an
undisciplined and lawless habit of thought, a disregard for authority,
a lack of reverence for tradition, and a riotous and unbridled
imagination.
This view of the matter gave us exquisite enjoyment. "But why?" I
asked laughingly. "The dressing-table is not a sacred object, even to
a woman. Why treat it with such veneration? Where there is but one
good light, and that immediately in front of the window, there is
every excuse for the British custom, but when the light is well
diffused, why not place the table wherever it looks well?"
"Ah, but it doesn't look well anywhere but back to the window," said
Mr. Anstruther artlessly. "It belongs there, you see; it has probably
been there since the time of Malcolm Canmore, unless Margaret was too
pious to look in a mirror. With your national love of change, you
cannot conceive how soothing it is to know that whenever you enter
your gate and glance upward, you will always see the curtains parted,
and between them, like an idol in a shrine, the ugly wooden back of a
little oval or oblong looking-glass. It gives one a sense of
permanence in a world where all is fleeting."
Public-domain text, read in full here on John Shaqi.
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