Peradventure; or, The Silence of GodKeable, Robert
Religion
Peradventure; or, The Silence of God
Keable, Robert
Church of England -- Fiction; Religion -- Fiction; Young men -- Fiction
Or again, though this he tried to suppress, the gorge of the poet in
him would rise now against Moody and Sankey or Torrey and Alexander.
Metre and rhyme had come to be things that he could not help
subconsciously analysing, but it does not do to analyse mission
hymn-books. Nor can one make a really successful evangelist if one is
affected almost to desperation by a cornet out of tune, or tracts for
distribution that are neither English nor common sense.
Lastly, the home atmosphere was electric with disagreement. He was out
of tune with it all. There seemed no longer anything to talk about at
table. Mr. Kestern was not interested in literature and art; with his
politics Paul, feeling after Socialism, was in violent collision; the
parish was no longer his world; and even into talk of the Second Coming
of Christ would creep the voice of criticism, or into the Islington
Conference the question of Rome. It was, of course, a common-place
tragedy, but that did not make it the less tragic. The man had stood
still, and the boy had gone on. Also, at the fork roads, he had taken
the unfamiliar turn.
Full of it all, then, he was coming to stay with Father Vassall. He
had determined to do that this once at least. He must talk things out
with his friend. But should they come to a conclusion, and if so to
what conclusion and with what results, that was the question.
"That's the 'ouse, sir."
Paul peered eagerly ahead. He could make out a dark, vague outline,
and a wall on the left. "Wo-up, beauty," cried his driver to the
horse. They came to a standstill before a big iron gate between tall
red-brick gate-posts.
Paul climbed stiffly down, and swung his bag out. He found himself on
a flagged path that ran up to a door set in a shallow portico in the
front of a long, low, mellow Queen Anne house. It was not too dark to
see a solid cornice and parapet. "The bell's on the right, sir," said
the voice at the gate. "I'll drive on round to the stable."
Paul pulled the wrought-iron bell-pull, and somewhere in the black
recesses a bell jangled. He heard a door open and the sound of feet.
"All right, Bridget," called a familiar voice; "I'll let him in." A
door opened somewhere. A faint glimmer of moving light shone through
the glass panes and drew nearer. The front door swung open. Paul
blinked in the light.
The priest stood with a lantern in his left hand. He wore his cassock,
and was muffled in a cloak, with a black skull-cap on his head. His
merry smiling face was turned up to Paul, clean shaven, youthful
looking, the hair a little tumbled.
"Good evening, Father," said Paul. "Sorry I'm late. I've been longing
to get here."
"H-how are you?" exploded the priest. "C-come in. It's splendid, your
c-coming."
Public-domain text, read in full here on John Shaqi.
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