Peradventure; or, The Silence of GodKeable, Robert
Religion
Peradventure; or, The Silence of God
Keable, Robert
Church of England -- Fiction; Religion -- Fiction; Young men -- Fiction
Two days later she was introduced to Paul. Manning and he were doing
the round of the park, Manning with a gun under his arm, Paul,
metaphorically, with a pencil in his hand. In other words, he was
realising what a lovely place it was. The wide sweeps of grass, the
clumps of trees, the views of the Downs, and the utter quiet of this
little Sussex backwater were already exercising their magic upon him.
The two of them had come along the northern boundary of the estate and
were now skirting the lake. It was a wild overgrown place, with
nothing formal about it, a big irregular sheet of water with a tangle
of weeds and lilies at one end and a regiment of great elms closing it
in. An avenue of limes led from it to the house, an odd avenue that
only appeared as an avenue when you came upon its entrance, suddenly,
in the middle of grassy park-land. Thus it started nowhere in
particular, and, from a distance, had no particular object, since the
water itself lay low at the far end of it behind a raised bank. Paul
already loved that. You wandered down from the garden and saw,
suddenly, the green guarded road of it running away into the park.
Intrigued, you entered, and sauntered carelessly up it. Then, at quite
a long last, you climbed the slope of the bank and suddenly saw before
you this still enchanted refuge where the fish leaped in the gathering
dusk and white swans sailed friendlily up in the heat of the sun. Here
and there a fallen trunk lay half in and half out of the water. In
places there was no coming at the brink for forests of reeds. But, at
its deepest corner, a promontory of hazels that was almost an island,
thrust out into its serenity.
The friends leaped from stone to tussock and tussock to log and landed.
A suggestion of a path led them through the few yards of undergrowth.
And there, hidden by a screen of green, with the water at her feet, sat
Ursula on the flat prow of a punt. She was making a little
water-colour, palette in one hand, brush in the other, a little
impressionist study of a pine that stood by himself on the bank
opposite, his brown roots reaching down into the lake.
"Hullo, Ursula," said Manning, "we didn't see you. Let me introduce
Paul Kestern. He's going to be a near neighbour, so you've got to know
him."
The girl looked up but did not move. Paul found himself staring across
a tiny strip of water into clear brown eyes, a pale oval face, and a
frame of black hair, all set on a tall pillar of white throat and neck.
She was wearing a brilliant yellow jumper, without adornment, and a
short blue skirt. She was long-limbed, and he realised vaguely that
her white bare arms and black stockinged legs were shapely and lissom
and good to see. "How do you do," he said properly.
"I've seen you before somewhere," she replied.
Paul was puzzled. He shot a glance at Manning, but he was fiddling
unconcernedly with his gun. Left to his own resources, he continued to
be polite.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account