Peradventure; or, The Silence of GodKeable, Robert
Religion
Peradventure; or, The Silence of God
Keable, Robert
Church of England -- Fiction; Religion -- Fiction; Young men -- Fiction
Taking the cinder-path that skirts the railway, the kindly touch of
familiar things which have ceased to have power to perplex or terrify
came to his aid. It was along this path that he had gone to the
Mission Hall Sunday by Sunday, the waters of his soul troubled with the
frenzy of apostleship, but it was along this path that he had returned
often and again arm in arm with a tender kindly Mr. Kestern who had
shared all his son's enthusiasms and sympathised in his distresses.
Here, as a schoolboy, he had counted trains or trudged eagerly home
from school for a Saturday afternoon excursion. Here, more adult, he
had been first conscious of sex stimulus (though then and now he did
not so label it) in the company of Madeline and Edith. Edith! Yes, it
was of Edith that he thought mostly as he walked home. She had been
reserved and sorrowful on his going to Fordham, had replied more and
more tardily to letters, had finally ceased to write at all. But he
too had ceased. Anyone as sensitive as Paul to surroundings would have
felt an incongruity between Edith Thornton and Fordham Manor, and then,
too, he had been going through an emotional stress big enough to
dominate his mind. But now, back here in the home atmosphere, he
thought very warmly of her. He longed for her simplicity, her naïve
faith. It did not seem to him a barrier between them. After all, with
the sight of the Beggar-Man, it was easy to enfold her in tenderness
and understanding.
Thus, then, he came at last to his father's door, waited impatiently
for the maid to open it, dropped his bag in the little hall, and turned
impulsively to the figure of Mr. Kestern irresolute in the study door.
"Dad," he cried, "it is good to see you again! How are you? How's
mother?"
"Oh, Paul!"
The love, the sorrow, the yearning of Mrs. Kestern's cry stabbed him
suddenly and unexpectedly to the heart. She had rushed past her
husband and flung her arms about his neck. Emotion welling up in him,
he bent his head to kiss her, and felt the hot tears on her cheek.
"Oh, my boy, my boy.... You've come at last, Paul. Oh, my son, you'll
never doubt your mother's love for you, will you? Kiss your father,
Paul. I cannot lose either of my men."
Paul was already bewildered. The pathos of her grip on his arm, and
the significance of her eagerness to see the greeting between him and
his father, were not lost upon him. His mother clinging to him, he
turned to his father, who had not stirred.
"Of course I've come, mother darling," he said. "But I've been
terribly busy, you know. And it's awfully jolly seeing you and daddy
again. (He used the childish word unconsciously.) How are you,
father?"
Public-domain text, read in full here on John Shaqi.
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