Peradventure; or, The Silence of GodKeable, Robert
Religion
Peradventure; or, The Silence of God
Keable, Robert
Church of England -- Fiction; Religion -- Fiction; Young men -- Fiction
They landed, laughing and joking, and found themselves on a roadway
that was, as the Major had said, all sand, except for granite
curbstones that ran ahead into the night and marked its course. Now
and again, a board announced the site of a church or hotel; and at a
cross-road in the waste, building operations had been begun for a big
shop, a theatre and a restaurant.
"Piccadilly Circus here," said Jardine, "all in good time!"
"Which way now?" laughed Muriel.
"Down towards those lights. There are makeshift stores there, and the
native quarter. I expect we might find a native café and music hall
going strong."
"What fun," said Ursula. "Lead on, Major."
Their guide jabbered in Swahili and Jardine interpreted. "He says
there's a theatre," he said smiling, "if the ladies care to see it."
"A theatre!" ejaculated Paul. "Heavens above! What in the world do
they show here?"
"There'll be a cinematograph," said the Major judicially, "and a band,
and dances, and songs screeched loud enough to drown even the band. We
might look in. If it's a bit too much for the ladies, we can leave."
As if in ready answer, the sound of a chorus was borne on the night air
to them. The party stood still and stared at each other. Then they
broke into mutual laughter. There was no mistaking it: Africa was
singing in what it called English: "I'm a bro-ken doll."
"Come on, come on," cried Paul, recovering himself. "We shall miss
half the fun."
"Oh, no, we shan't," said Jardine. "Take it easy, for goodness' sake.
They'll keep it up till morning, especially as there's a ship in."
As they approached, the glares and shadowy buildings ahead resolved
themselves into more recognisable objects. They stopped at length on
the edge of a crowd that was sitting at trestle tables in a half-light
that faded into the dark night around. Everyone was looking towards a
big ramshackle building that held out an open-air stage. Kerosine
flares and oil lamps illuminated it. A band, in tattered crimson
tunics, blared and beat below, but rather out of the way to the right
to permit of the artistes descending into the auditorium, and on it, at
the moment, a stout dark-haired Greek woman was singing. Her voice
reached them only at intervals, for, harsh and loud and discordant as
it was, the band beat it most of the time. Suddenly, with a gesture,
she commanded the chorus. The audience took it up. Ragged
Africans--Sudanese, Fellahin, Swahilis; Indians, and half-castes;
frowsy Greeks and Levantines; and a sprinkling of white-ducked, more
respectable looking, but distinctly dark Europeans; they all sang,
shouted, beat time. It was obviously a popular item. Ursula laughed
heartily. "Oh," she cried, "how priceless! Can't we go nearer the
stage and sit down, Major?"
Jardine looked doubtful. "Oh, I don't know," he said.
But the guide had caught some of the English words. "Seet down?" he
queried. "Yas, sar. Plenty room up there. Missy, come thees way."
Public-domain text, read in full here on John Shaqi.
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