Ida, who was not easily touched, felt as grateful to these smiling
girls as to her friendly chauffeur, and for a moment was tempted to
“come down off her perch” and revel in human companionship. But she
knew that it “wouldn’t work”; she merely thanked them graciously and
ascended the wide steps of her new home, that palatial residence of
cream-colored pressed brick of her unswerving desires. While the maids
were taking her bags and boxes upstairs, she walked through the large
rooms of the lower floor. Everything was in the best modern style of
furnishing, the prevailing tone dim and rich, with Eastern rugs on the
hardwood floors; French tapestries and carved oak furniture and stained
glass in the library--also a few books; paler tapestries set in panels
in the immense drawing-room, and many beautiful pieces of furniture
carefully selected with an eye to both contrast and mating. Out of
this room opened a dining-room that looked like a baronial hall, and
although the Murphys had taken their silverware they had left their
china, imported from Limoges, and their glass ware, made for them by a
Venetian firm that had supplied Ida’s grandes dames for thirty years.
In short it was one of those stately and sumptuous interiors, furnished
by the best houses in New York, which one associates exclusively with
the three or four great cities of the United States, and is always
unwarrantably surprised to find in the newer cities of the West.
Ida made a pretence of eating her dainty supper, remembered that she
was now a grande dame and visited the kitchen to say an appreciative
word to the cook, then ascended to her bedroom divided between anger
and a depression so foreign to her temperament that she barely
recognised it for what it was.
The large upper hall had been fitted up as a billiard room, and with a
continuous divan broken only by the doors of the bedrooms. Ida threw
it an appreciative glance, but it merely emphasised the fact that
there was no man in the house, and she did not linger. Mrs. Murphy,
evidently a brunette, had furnished her bedroom and dressing-room in
primrose yellow and much lace. Ida approved both as unreservedly as
she had the rest of the house, thankful there was nothing to alter;
like many women she had consummate taste in dress and none whatever
for house decoration; although unlike most of these disparate ladies
she was quite aware of her deficiencies. She knew when a room was all
that it should be, but could not have conceived one of the details,
much less the unimpeachable combination. The sex instinct teaches
those subtleties of personal adornment likely to allure the male, and
arrest the anxious eye of other females, but ancestral brain-cells are
necessary for the more civilised accomplishment.
Public-domain text, read in full here on John Shaqi.
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