She had become intensely proud of her husband since her return, and his
neglect, coupled with his scrupulous generosity, had stung her pride
and aroused both desire and determination to recapture what she had
lost. She had no great faith in her capacity for love; but not only
was she fascinated by Gregory for the first time but she found him more
worthy of her accomplished coquetry than any man she had met in Europe.
She was firm in her resolve to repossess her husband, but not merely to
satisfy that pride which was the evolution of a more primitive vanity;
she felt a certain joyousness, a lilt of the spirit, at the thought of
spending her life with him, of being the complete helpmate of such a
man; even a disposition to dream, which was so new in her experience
that she banished it with a frown. “If I let go like other fool women,
I’ll make a grand mess of it,” was her characteristic reflection.
She was dressing for the dinner when she heard him enter the house. The
parlour maid for once remembered her instructions, and led him up to
his room, which was on the opposite side of the hall from his wife’s
and at the extreme end. Her door was ajar, she heard his voice--whose
depth and richness were decimated by the telephone--his light foot
ascending the stair. For the moment she lost her breath, then with
an angry jerk of the shoulders regained her poise, and, in tones
careless enough to reassure any husband suddenly overwhelmed with the
awkwardness of his position, called out:
“Good evening, Gregory. Hope you’ll find everything you want in your
room. Ring if you don’t. See you downstairs.”
“Oh--thanks!” Gregory swallowed an immense sigh of relief. “I’ll be on
time.”
Ida, assisted by the “upstairs girl”--she had not yet found a ladies’
maid willing to come to Butte--continued her toilette. Her gown was
as nearly Renaissance as she thought her native Northwest would
stand at this stage of her social progress. It was “built”--a word
more appropriate to woman’s dress A.D. 1600 than today--of heavy
turquoise-blue brocade, the design outlined here and there with gold
thread. The long wrinkled sleeves almost covered her hands, and,
like the deep square of the neck, were tipped with fur. Her mass of
blue-black hair was closely twisted around her head from brow to the
nape of her neck, held above the low forehead by a jewelled stiletto
Ora had given her in Genoa, “to remind her of her midnight diversions
in the Renaissance palace over which her dim ancestral memories
brooded.” This she had dismissed as damn nonsense, but she liked the
stiletto with its rudely set stones, and had promised to wear it the
first time she got inside one of her near-Renaissance gowns.
Public-domain text, read in full here on John Shaqi.
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