When a woman goes on a still hunt for a man’s soul she is far more
dangerous than the obvious siren, for her self-delusion is complete,
her guards are down, her wiles disarming. Ora had had too little
practical experience of men to be prepared to admit, in spite of her
abstract knowledge of life, that there has been but one foundation of
love since the world began, and never will be another till life on
this planet ends, whatever may be the starry mysteries of the spheres.
But while she was (spasmodically) too honest to deny even her own sex
encumbrance, she believed, like many other, particularly American women
of narrow experience, that it had been politely emasculated by the
higher civilisation, was merely synonymous with poetry, romance, and
sentiment. This convention was imported to the New World by England’s
middle-class and became a convenient national superstition. It is on
the wane.
That Gregory, granted she were successful in capturing his soul, might
desire to contribute the rest of himself to the spoils, now that she no
longer was the wife of his friend, let loose those subversive passions
she had divined the night of their meeting and dared to recognise in
the realm of imagination, she would have refused to admit had the
possibility occurred to her. She was out for the ideal, and not yet had
she learned to take her imagination in hand like a refractory child.
Moreover, she had an imperious will, gracefully as she concealed it.
This last year of freedom and wealth and feminine triumphs had tempered
that will into a pliable and dangerous weapon. What she wanted she
would have. As she planned a thing so should it work out. But the
details--ah, they were veiled in the future, and from their mysteries
came this reflex vibration, this pleasant sense of drifting, of
wondering how it would all begin and what would happen next.
Public-domain text, read in full here on John Shaqi.
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