Ora walked through the crooked streets on the steep hillside until
she reached the deep chamber into which had leached the acids of the
centuries to enrich the ores, and incidentally Gregory Compton.
Thousands of tons of dump made a hill in itself and shut off the view
to the south, but below were the acres of waving wheat, the alfalfa
with its purple flower, the sprouting flax, the winding creek that
was often dry but sometimes wet, the brush sheds for the cattle, the
substantial farm buildings. The broad peaceful expanse looked as
if even a winter wind had never shaken it, so entirely did it seem
dissociated from the frantic energies of its northeast corner. And
still beyond was perfect beauty: the massive pine-covered mountains,
rising tier above tier, ridges of the great Rockies, far away and up to
the sky-cutting line, glittering with eternal snows. For a few moments
Ora forgot the raucous noises about her, Nature delivering herself
of her precious children with loud protesting pains. Then she turned
suddenly and looked upward.
Gregory had just stepped from his cabin. For a moment he did not see
her, but stood staring, his hands in his pockets, at the distant
mountains. He wore his favourite overalls and a battered cap on
the back of his head; but he looked so remote in spirit from that
materialising costume that Ora watched him with a sensation of helpless
jealousy. Not for a moment could she delude herself that he was
thinking of her. He looked like a seer.
“Can you see right into the heart of those mountains?” she asked
lightly, as she walked up the hill toward him. “You looked as if your
imagination were ‘blocking out’ thousands of tons of gold quartz.”
He started and coloured, but smiled with a sudden pleasure at the
charming picture in the foreground. “Something like that. This mine
is all right, and now that I’ve got over my disappointment, I have a
feeling for it that I guess I’ll never have for another mine--something
like the affection for one’s first born! But all the same I intend to
have a gold mine one of these days. Have you been admiring my view?”
He had walked down and joined her.
“Yes, but that is not what I came over here for. Nor is it what I came
out to the mines for. I brought a small library, but I find I am not in
the humour for books. I want to be doing something myself. Mr. Raymond
won’t take me down into my mine. I want to go down into yours--now.”
He hesitated a moment. “Well--why not? Apex is not working this
afternoon--something the matter with their compressor. They sounded
pretty close to our workings this morning, but the men quit about one
o’clock, and as they didn’t blast it was probably because the holes
weren’t deep enough. I’ve just been told that they can’t get to work
again before tomorrow. But you look much too fine!”
“Everything cleans; and I’ll leave my veil and parasol in the shaft
house.”
“All right,” he said abruptly. “Come along.”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account