Ora received another budget of Ida’s philosophy on the day before the
Prom; she had taken her a long string of pink coral she had found
among her old possessions, and after Ida had wound it in her hair
and round her neck, and finally tried on her gown, and then draped
Ora successively in various scarves, remnants of her own wedding
finery--being almost as interested in the new complexion as Ora
herself--they had suddenly come to the conclusion that while in Europe
they would assume the mental attitude of girls travelling without a
chaperon. They would see the world from the independent girl’s point
of view, flirt like girls, not like married women (which at least
would save their consciences), force men to accept the phenomenon. For
a time they discussed the superior advantages of being young widows,
but, alluring and even thrilling as were the possibilities evoked, they
dismissed the alternative on the ground that it might prove a bore
always to be on the defensive; man making no secret of his attitude
toward widows. Besides, they felt a delicacy about burying their
indulgent husbands even in mental effigy. As counterfeit girls they
could crowd enough excitement into six months to serve them in memory
during long periods of Butte.
“It will be some bluff,” cried Ida. “And believe me, we’ll have the
time of our lives. And no remorse in mine. I intend to flirt the limit,
for I’m just ready to quit being a mother for a while and see a man’s
eyes kindle when he comes nigh--see him playing about at the end of
a string. I didn’t have near enough of it even when I had half Butte
at my feet--excuse what sounds like conceit but is cold fact. Now,
I’m going to light up every man I take a fancy to. I don’t care an
abandoned prospect hole whether I hurt ’em or not. All they are good
for is to give us a good time.”
“Ida!” Ora was aghast as she often had been before at these naked
feminine revelations. “You talk like a man-eater. I hope to heaven I am
not like that down deep.”
Public-domain text, read in full here on John Shaqi.
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