Poets, English -- 19th century -- Biography; Shelley, Percy Bysshe, 1792-1822
Of darkness fell from the awakened Earth.
The smokeless altars of the mountain snows
Flamed above crimson clouds, and at the birth
Of light, the Ocean's orison arose,
To which the birds tempered their matin lay.
All flowers in field or forest which unclose
Their trembling eyelids to the kiss of day,
Swinging their censers in the element,
With orient incense lit by the new ray,
Burned slow and inconsumably, and sent
Their odorous sighs up to the smiling air;
And, in succession due, did continent,
Isle, ocean, and all things that in them wear
The form and character of mortal mould,
Rise as the Sun their father rose, to bear
Their portion of the toil, which he of old
Took as his own, and then imposed on them.
But I, whom thoughts which must remain untold
Had kept as wakeful as the stars that gem
The cone of night, now they were laid asleep,
Stretched my faint limbs beneath the hoary stem
Which an old chestnut flung athwart the steep
Of a green Apennine. Before me fled
The night; behind me rose the day; the deep
Was at my feet, and Heaven above my head,--
When a strange trance over my fancy grew
Which was not slumber, for the shade it spread
Was so transparent that the scene came through
As clear as, when a veil of light is drawn
O'er evening hills, they glimmer; and I knew
That I had felt the freshness of that dawn
Bathe in the same cold dew my brow and hair,
And sate as thus upon that slope of lawn
Under the self-same bough, and heard as there
The birds, the fountains, and the ocean, hold
Sweet talk in music through the enamoured air.
And then a vision on my brain was rolled.
Such is the exordium of the poem. It will be noticed that at this point
one series of the interwoven triplets is concluded. The "Triumph of
Life" itself begins with a new series of rhymes, describing the vision
for which preparation has been made in the preceding prelude. It is not
without perplexity that an ear unaccustomed to the windings of the terza
rima, feels its way among them. Entangled and impeded by the
labyrinthine sounds, the reader might be compared to one who, swimming
in his dreams, is carried down the course of a swift river clogged with
clinging and retarding water-weeds. He moves; but not without labour:
yet after a while the very obstacles add fascination to his movement.
As in that trance of wondrous thought I lay,
This was the tenour of my waking dream:--
Methought I sate beside a public way
Thick strewn with summer dust, and a great stream
Of people there was hurrying to and fro,
Numerous as gnats upon the evening gleam,
All hastening onward, yet none seemed to know
Whither he went, or whence he came, or why
He made one of the multitude, and so
Public-domain text, read in full here on John Shaqi.
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