Perpetua. A Tale of Nimes in A.D. 213Baring-Gould, S. (Sabine)
History
Perpetua. A Tale of Nimes in A.D. 213
Baring-Gould, S. (Sabine)
Nîmes (France) -- History -- Fiction
It was remarked that the attendance in the reserved seats of the decurions
was meager. Such as were connected with the Falerian family by blood or
marriage made it a point to absent themselves; others stayed away because
huffed at the insolence of the freedmen, and considering that the sentence
passed on Marcianus was a slight cast on their order.
On the other hand, the freedmen crowded to the show in full force, and not
having room to accommodate themselves and their families in the zone
allotted to them, some audaciously threw themselves over the barriers of
demarcation and were followed by others, and speedily flooded the benches
of the decurions.
When the magistrates arrived, preceded by their lictors, all in the
amphitheater rose, and the Quatuor‐viri bowed to the public. Each took a
pinch from the priest, who extended a silver shell containing aromatic
gums, and cast it on the fire, some gravely, Petronius with a flippant
gesture. Then the latter turned to the Augustal _flamen_, saying: “To the
god Augustus and the divine Julia (Livia),” and he threw some more grains
on the charcoal.
“Body of Bacchus!” said he, as he took his seat, “a little fizzling spark
such as that may please the gods, but does not content me. I wish I had a
roaring fire at which, like a babe out of its bath, I could spread my ten
toes and as many fingers. Such a day as this is! With cold weather I
cannot digest my food properly. I feel a lump in me as did Saturn when his
good Rhea gave him a meal of stones. I am full of twinges. By Vulcan and
his bellows! if it had not been for duty I would have been at home adoring
the Lares and Penates. These shows are for the young and warm‐blooded. The
arms of my chair send a chill into my marrow‐bones. What comes first? Oh!
a contest with a bull. Well, I shall curl up and doze like a marmot. Wake
me, good Smerius, when the next portion of the entertainment begins.”
A bull was introduced, and a gladiator was employed to exasperate and play
with the beast. He waved a garment before its eyes, then drove a sharp
instrument into its flank, and when the beast turned, he nimbly leaped out
of the way. When pursued he ran, then turned sharply, put his hands on the
back of the bull, and leaped over it.
The people cheered, but they had seen the performance so often repeated
that they speedily tired of such poor sport. The bull was accordingly
dispatched. Horses were introduced and hooked to the carcass, which was
rapidly drawn out. Then entered attendants of the amphitheater, who
strewed sand where the blood had been spilt, bowed and retired.
Thereupon the jailer threw open the gates of the _vivarium_ and brought
forth the prisoners. These consisted of the taverner who had murdered his
guests, the manumitted slave who had robbed his master, Baudillas,
Marcianus and Perpetua.
Public-domain text, read in full here on John Shaqi.
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