Perpetua. A Tale of Nimes in A.D. 213Baring-Gould, S. (Sabine)
History
Perpetua. A Tale of Nimes in A.D. 213
Baring-Gould, S. (Sabine)
Nîmes (France) -- History -- Fiction
Then Æmilius approached Perpetua, and entreated her to give way. To cast a
few grains on the charcoal meant nothing; it was a mere movement of the
hand, a hardly conscious muscular act, altogether out of comparison with
the results. Such compliance would give her life, happiness, and would
place her in a position to do vast good, and he assured her that his whole
life would be devoted to her service.
“I cannot,” she said, looking Æmilius full in the face. “Do not think me
ungrateful; my heart overflows for what you have done for me, but I cannot
deny my Christ.”
Again he urged her. Let her consent and he—even he would become a
Christian.
“No,” said she, “not at that price. You would be in heart for ever
estranged from the faith.”
“To the rack! Lift her on to the little horse. Domitius Afer left his
bequest to the city in order that we should be amused, not befooled,”
howled the spectators.
“Executioners, do your duty,” said the magistrate. “But if she cry out,
let her off. She will sacrifice. Only to the first hole—mind you. If that
does not succeed, well, then, we shall try sharper means.”
And now the little horse was set up in the midst of the arena, and
braziers of glowing charcoal were planted beside it; in the fire rested
crooks and pincers to get red hot.
The “little horse” was a structure of timber. Two planks were set edgeways
with a wheel between them at each end. The structure stood on four legs,
two at each extremity, spreading at the base. Halfway down, between these
legs, at the ends, was a roller, furnished with levers that passed through
them. A rope was attached to the ankles, another to the wrists of the
person extended on the back of the “horse,” and this rope was strained
over the pulleys by means of the windlasses. The levers could be turned to
any extent, so as, if required, to wrench arms and legs from their
sockets.
And now ensued a scene that refuses description. “We are made a spectacle
unto men and angels,” said the apostle, and none could realize how true
were the words better than those who lived in times of persecution. Before
that vast concourse the modest Christian maiden was despoiled of her
raiment and was stretched upon the rack—swung between the planks.
Æmilius felt his head swim and his heart contract. What could he do? Again
he entreated, but she shook her head, yet turned at his voice and smiled.
Then the executioners threw themselves on the levers, and a hush as of
death fell on the multitude. Twenty thousand spectators looked on, twice
that number of eyes were riveted on the frail girl undergoing this agony.
Bets had been made on her constancy, bandied about, taken, and booked.
Castor stood up, with face turned to heaven, and extended arms, praying.
The creaking of the windlass was audible; then rang out a sharp cry of
pain.
Immediately the cords were relaxed and the victim lowered to the ground.
Blanda threw a mantle over her.
“She will sacrifice,” said Æmilius; “take off the cords.”
Public-domain text, read in full here on John Shaqi.
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