Persian Literature, Ancient and ModernReed, Elizabeth A. (Elizabeth Armstrong)
History
Persian Literature, Ancient and Modern
Reed, Elizabeth A. (Elizabeth Armstrong)
Persian literature -- History and criticism
Henceforth she has a national literature, with its own peculiar faults
as well as beauties, even though her best works belong to her past. No
poetry has ever been more peculiarly national than that of Persia, for
three centuries her lyre has been virtually silent, and yet her people
cherish with peculiar fondness the memory of her poets. The finest odes
of Hāfiz and the most beautiful passages of her Shāh Nāmah still live,
even in the memory of her peasants; and the sorrows of Lailī and Majnūn
will be chanted by Persian and Arab as long as the sons of the desert
are found amidst the roses of Īrān.
CHAPTER XVII.
MEHER AND MŪSHTERI.
PERSIAN ROMANCE—THE TWO COMRADES—THE SEPARATION—THE QUEEN—THE DEPARTURE—
THE ANNOUNCEMENT.
Persian romance, as well as Persian poetry, is burdened with florid
description, and the redundancy of style which is everywhere found in
the works of even their best authors makes them tedious to the reader.
In these books of Oriental romance, it often happens that a new story is
begun before the first is finished, being introduced as a narrative by
one of the characters, and the second is in turn interrupted by a third,
when the author apparently forgets to finish any one of his fables
except the last. Whole volumes are constructed in this way, legends
being repeated as often by a bird or an animal as by men and women.
Story-telling was esteemed a great accomplishment in the East, and those
who excelled in the art were favorites at court as well as in other
grades of society. It sometimes happened that a victim who had been
selected for capital punishment, either deservedly or otherwise, could
save his life if he could find an opportunity of telling a pleasing tale
to some official, who would bear the news of his ability to the king.
Royalty considered this an easy method of entertainment, and the members
of the harem as well as the princes of the courts were often favored in
this way. It sometimes happened that a favorite of the king owed her
position in the affection of his majesty to the fact that she could
entertain him for hours together with pleasing myths of her own
composition.
Public-domain text, read in full here on John Shaqi.
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