Persian Literature, Ancient and ModernReed, Elizabeth A. (Elizabeth Armstrong)
History
Persian Literature, Ancient and Modern
Reed, Elizabeth A. (Elizabeth Armstrong)
Persian literature -- History and criticism
The announcement of his coming was a signal for general rejoicing; even
the children loved the young heir and knew the story of fraternal
affection between him and Mūshteri. The Shāh had been bitterly blamed in
the hearts of his subjects, although such was the force of Oriental
despotism that a man scarcely knew the thought of his neighbor. Never
were the imperial orders more willingly obeyed than when the Shāh
commanded a festal scene to be arranged for the reception of Meher, and
never was the marble city fairer than when the coming of the royal
cavalcade was announced. Silken banners waved in triumph from every wall
and battlement, while strains of martial music floated through the air,
and the streets were strewn with white lilies and the fragrant roses of
Persia. Gilded barges on the river wore their festal flags, and bore the
minstrels down the stream to the shore, where the voices of singers were
mingled with the notes of lute and psaltery.
Without the city the Persian road of palms was festooned with arches of
roses and strewn with the flowers of the valley, for all the way was
glad with blossoms and vocal with the songs of welcome.
In the early morning a swiftly-mounted courier had been stationed on an
eminence a few miles from the city, where he could see the approaching
cavalcade far down the valley, and when he rode into the city with the
message that the advance guard was already in sight there were loud
acclamations of joy. For hours the finest horses in the royal stables
had stood impatient, with tossing plumes and gorgeous trappings, waiting
for the advance, and now the Shāh, with his chosen guard, rode out in
royal state to meet the coming prince.
The white Arabian steeds, the costly armor of the troops and the rich
raiment of the Shāh, made a gorgeous picture in the sunlight, when they
swept down through the rose-covered arches and under the palms. As they
rode onward a new strain of music saluted their ears, and a long line of
camels came swinging slowly into view, their heads tufted with bright
tassels, while their light-toned bells were shaking silvery notes upon
the air, and their drivers were singing and playing on pipes. But lo!
the lines were opened for a small troop of horsemen who galloped towards
the Shāh, and Meher, swinging gracefully down from the saddle, came to
his father’s feet.
King Shapur quickly recognized the familiar face, and hastily
dismounting, he caught his son in his arms. The hardy Persian soldiers
turned away from the sacred scene with tears in their eyes, but after a
time Mūshteri came forward, and humbly kneeling at the monarch’s feet he
craved forgiveness. The Shāh laid his hand upon the head of him who, in
his childhood, had seemed almost as near as his own son, and freely gave
the royal pardon; then the lines were reformed, Meher and Mūshteri
riding on either side of the king, and the horses were turned toward
Istakhar.
Public-domain text, read in full here on John Shaqi.
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