Persian Literature, Ancient and ModernReed, Elizabeth A. (Elizabeth Armstrong)
History
Persian Literature, Ancient and Modern
Reed, Elizabeth A. (Elizabeth Armstrong)
Persian literature -- History and criticism
The record of her political policy proves that she will fasten her iron
hand upon the vitals of a nation, and crush out, as far as possible,
every effort toward progress, until the crippled empire falls into her
fatal embrace. Persia has little hope of escaping the Russian policy of
oppression and absorption, unless either English or German troops are
allied with her native forces against the common foe. There is no
longer, therefore, a hope that Persian literature may be revived, and
the intellectual resources of the empire again developed, unless the
civilized nations of Europe come to her rescue. The yoke of Mohammedan
rule must be broken, and the tyranny of the northern barbarian removed,
before the Persian mind and heart can be stimulated to intellectual and
moral activity.
-----
Footnote 288:
Ven., XIX, 43.
Footnote 289:
Yasna, XII, 9, p. 174.
Footnote 290:
Dr. Haug, Essays, p. 2. 67
Footnote 291:
Prof. Roth, Tubingen. Chips, p. 85.
Footnote 292:
There are also many so-called historical works, which, although
deficient in sound criticism, and to a greater or less extent
unreliable, still furnish some curious and noteworthy data. They have
translations of the Maha-bharata, the Ramaya_n_a and other standard
works of Sanskrit literature, but the original fire of Persian genius
appears to be hopelessly crushed.
Footnote 293:
The Tazieh is the outgrowth of a ceremony which, for centuries, the
Persians have annually performed in the holy month Moharrem. At this
time they celebrate the tragic death of Hossein, the grandson of the
Prophet who perished with all his house at the hands of a rival for
the honors of a caliphate. The month of mourning is largely occupied
with the recitals and ceremonies pertaining to the event; halls being
especially constructed for these rhapsodies, as after more than seven
hundred years, the terrible scenes of the tragedy were dramatized and
placed upon the Persian stage. In the royal Takieh, or theatre, the
great drama is unfolded for ten successive days, during the month of
mourning, while in all other portions of the empire it is reproduced
with more or less power, at the same time.
INDEX.
A.
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