Persian Literature, Ancient and ModernReed, Elizabeth A. (Elizabeth Armstrong)
History
Persian Literature, Ancient and Modern
Reed, Elizabeth A. (Elizabeth Armstrong)
Persian literature -- History and criticism
We have also the Griffin of chivalry, the fabulous monster, half bird
and half lion, that protected the gold of the Hyperborean regions from
the one-eyed Arimaspians, and the Phœnix of Egyptian fable—the bird
of gold and crimson plumage, that is burned upon her nest of spices
every thousand years, and as often springs to life from her ashes. The
Turks have their Kerkes, and the Japanese their Kirni, while China
exhibits a nondescript dragon, which is a combination of bird and
reptile. In the Greek Iliad we have the imperial bird of Jove—“Strong
sovereign of the plumy race” bearing a signal from the god. Among the
Persian myths we find the Karmak, a gigantic bird “which overshadowed
the earth, and kept off the rain until the rivers were dried up.” And
the law was brought to the Var of Yima by the bird Karśipta who recites
the Avesta in the language of birds.
The raven was sacred to Apollo, and in Persia the priests of the sun
were named ravens. In the Avesta this bird is called “the swiftest of
all—the highest of the flying creatures ... he alone of all living
things—he or none—overtakes the flight of an arrow, however well it has
been shot; he grazes in the hidden ways of the mountains, he grazes in
the depths of the vales, he grazes on the summit of the trees listening
to the voices of the birds.”[132] Again it is said of the Vārengaṇa or
raven: “Take thou a feather of that bird, with that feather thou shalt
rub thine own body—with that feather thou shalt curse thine enemies; if
a man holds a bone of that strong bird, no one can smite or turn to
flight that fortunate man. The feather of that bird of birds brings him
help, it brings unto him the homage of men, it maintains him in
glory.”[133] It is said that the glory departed from Yima three times in
the shape of a raven, and the raven is also one of the incarnations of
the genius of Victory.
The Saēna, which, in later literature, is the Sīnamrū or Sīmūrgh,
occupies an important place in Persian mythology. His resting place is
on the Jaḍ-bēsh, or the tree of the eagle; this tree is the bearer of
all seeds, and when the Sīmūrgh leaves it in his flight, a thousand
twigs will shoot from the tree, and when he returns and alights thereon,
he breaks off the thousand twigs, and sheds the seed from them. Then the
bird Chaṉmrōsh who always sits near, watching the tree, will collect
the seed which falls from the Jaḍ-bēsh, or tree of all seeds, and carry
it to the fountain where Tishtar (or Tiśtrya) receives the waters, so
that Tishtar may gather the seed of all kinds with the waters, and may
shower it down upon the world with the rain.[134]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account