Persian Literature, Ancient and ModernReed, Elizabeth A. (Elizabeth Armstrong)
History
Persian Literature, Ancient and Modern
Reed, Elizabeth A. (Elizabeth Armstrong)
Persian literature -- History and criticism
The Sīmūrgh was the son of Ahūm-stut, who was perhaps “the holy falcon—
praiser of the lord.” He builds his nest amidst the cliffs of Mount
Alborz, and the gigantic structure is woven with the branches of the
aloe and the fragrant sandal-wood. Around it gleam the white cliffs in
the sunlight, and precious stones lie beneath it, for it is far beyond
the reach of man. The Sīmūrgh became, in later literature, a mythical
incarnation of supreme wisdom.
AHŪRA-MAZDA.
This deity is represented as the supreme god of the Persians, the
creator of the other gods, and the ruler of them all.
The word Ahūra appears to have much kinship with Asūra, of the Hindū
mythology. In the early portions of the Ṛig-veda this word has a good
meaning, but in the latter part of the same work the Asūra is
represented as a black demon, who committed fearful devastation until he
was defeated by Indra. Among the Persians, Asūra, or Ahūra is pictured
as the sky-god, who is represented among the Hindūs as Varuṇa, who looks
down from heaven with his countless starry eyes and “wields the universe
as the gamesters handle dice.”[135]
The heaven of Ahūra-Mazda surrounds the highest peaks of the “Lofty
Mountain” in the upper air, and it is called the “Abode of Song.” It is
said “the maker Ahūra-Mazda has built a dwelling on the Hara-Berezaita,
the bright mountain around which the daily stars revolve.... With his
arms lifted up towards immortality, Mithra, the lord of wide pastures,
drives forward a beautiful chariot, wrought by Ahūra-Mazda and inlaid
with stars.”[136]
The attributes of Ahriman, the serpent, or evil principle, became
personified, and the various forms of falsehood, darkness and death
became abstract demons. So, also, Ahūra-Mazda was afterward worshipped
as a multitude of deities, and thus it happened that victory,
benevolence, sovereignty, and even health were each worshipped as a
separate divinity, and gathered together in the heavenly councils as a
band of Yazatas or angels. These are numbered by thousands, but the one
demanding the greatest reverence is
ATAR.
This is the god of fire. He was called the “most great Yazata,” and as
such he commanded the undying worship of the Persian devotee.
The first duty of each Pārsī householder was to cherish the sacred fire
upon his own hearth, feeding it only with delicate bits of fragrant
sandal wood, while the fires in the temples were committed to the care
of the priests. Atar is the Persian form of the Hindū Agni, the guardian
of the home, and the symbol of social union.
The cypress tree was planted in front of their fire temples, and when it
had reached a towering height, it was surrounded by a gilded palace like
a sheath of flame,[137] while more simple altars arose from their
mountain tops and blazed with the sacred symbol.
THE STORM GOD.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account