Persian Literature, Ancient and ModernReed, Elizabeth A. (Elizabeth Armstrong)
History
Persian Literature, Ancient and Modern
Reed, Elizabeth A. (Elizabeth Armstrong)
Persian literature -- History and criticism
Killing the Ahriman creatures is killing Ahriman himself, and many sins
can thus be atoned for, while killing Ormazdean animals is an
abomination like the killing of the god. The struggle between the good
and evil, however, is limited, for the world is not to last forever, and
Ahriman will be defeated at last.
There had been an old myth that the world would end in a fearful winter
like that of the Eddic Fimbul, which would be succeeded by an eternal
spring, but as a storm is the ordinary symbol of strife, the view which
finally obtained in their mythology, is the prediction that the world
will finally end in a battle of the elements.
The Pārsīs came at last to a pure monotheism, and to a certain extent
this change may have been influenced by the creed of the Moslem that
“there is one God, and Mohammed is his prophet,” but the difference in
sentiment cannot be ascribed to any one generation, for it is really
deeper and wider than the movement which, in earlier times, brought the
Magi from an imperfect form of dualism to one which was much more
decided in its presentations.[176]
THE GĀTHAS.
The five Gāthas which have been attributed to Zarathuśtra are doubtless
the earliest portions of the Zend-Avesta. They comprise seventeen
sections of poetical matter, equal in extent to twenty-five or thirty
hymns of the Ṛig-veda. They are composed in the ancient Āryan metre, and
ascribe supreme power to Ahūra Mazda, who is opposed constantly by the
spirit of evil.
In these early songs, the kine, as the representative of the people,
laments the burden which is laid upon Īrānian life. The effort to win
their bread by honest labor is opposed, although not entirely
frustrated, by the Deva-worshipping tribes, who still struggle with the
Zarathuśtrians for the control of the territory. The kine, therefore,
lifts her wail to Ahūra, who responds by the appointment of Zarathuśtra
as the being who is entrusted with her redemption; and he, accepting his
commission, begins his labors. We then have a series of lamentations and
praises addressed by Zarathuśtra and his immediate associates to Ahūra;
also exhortations which are addressed to the people.
These hymns were composed amidst an agricultural people, many of whom
were also herdsmen. Their land and their cattle being their most
valuable property, the raids of the Deva-worshippers were looked upon as
most terrible visitations. In the course of these invasions, we have
also intimations of an organized effort on the part of the foe to
overwhelm the Zarathuśtrians, and it appears that at times they very
nearly accomplished their object, sanguinary conflicts being repeatedly
alluded to. It may be inferred by the prevalence of the thankful tone in
the Gāthas, that the Zarathuśtrians were not conquered during the Gāthic
period, although at the time that the last hymns of the series were
written, the struggle was by no means over.
Public-domain text, read in full here on John Shaqi.
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