Persian Literature, Ancient and ModernReed, Elizabeth A. (Elizabeth Armstrong)
History
Persian Literature, Ancient and Modern
Reed, Elizabeth A. (Elizabeth Armstrong)
Persian literature -- History and criticism
The Drūj is expelled from the dead by the Sag-dīd, or “the look of the
dog;” “a four-eyed dog,” or “a white one with yellow ears,” must be
brought near the body, and made to look upon the dead, and as soon as he
has done so the Drūj hastens back to hell.[191] The Drūj is expelled
from the living by a process which is too revolting for description. The
ceremonies are accompanied by the constant repetition of spells like the
following: “Perish, O fiendish Drūj! Perish, O brood of the fiend! Rush
away, O Drūj! Perish away to the regions of the north, never more to
give unto death the living world.”
The feeling out of which these ceremonies grew was not original with
Mazdeism; the Hindū also considered himself in danger while burning the
corpse, and he cried aloud, “Away, go away, O Death! injure not our sons
and our men.”[192]
The Pārsīs, not being able to find a four-eyed dog, interpreted the law
to mean a dog with two spots above the eyes, while in practice they are
still less particular, and the Sag-dīd may be performed by a house-dog,
or by a dog four months old. As birds of prey are fiend-smiters as well
as the dog, the devotee may claim their services when there is no dog at
hand. The four-eyed dog, which the ceremony originally called for, is
doubtless a reproduction of “the four-eyed dogs of the tawny breed of
Saramā,” belonging to Yama,[193] which guard the realms of death in
Hindū mythology. The identity of the four-eyed dog of the Pārsīs with
the dogs of Yama is confirmed by the tradition that the yellow-eared dog
watches at the head of the Chinvat bridge, and, as the souls of the
faithful pass over, he barks to drive away the fiend who would drag them
down to hell. Wherever a corpse is carried, death walks beside it all
the way, from the house to the last resting-place, and the fatal
presence constantly threatens the living who are near the path-way.
DISPOSITION OF THE DEAD.
As the centre of contagion is in the corpse, it must be disposed of in
such a way that death may not be spread abroad. The old Indo-European
customs have in this respect been completely changed by Mazdeism. The
corpse was formerly either burned or buried; both of these customs,
however, are held to be sacreligious in the Avesta. The elements, fire,
earth, and water, are holy, and even during the Indo-Īrānian period they
were already so considered, being represented in the Vedas as objects of
worship. But this did not prevent the Hindūs from burning their dead,
and the dead man was really considered as a traveler to the other world,
while the kindly fire was supposed to carry him on flashing pinions to
his heavenly abode. The funeral fire, like that of the sacrifice, was
the god that goes from earth to heaven, the mediator most friendly to
man.
Public-domain text, read in full here on John Shaqi.
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