Personal reminiscences of Henry IrvingStoker, Bram
General
Personal reminiscences of Henry Irving
Stoker, Bram
Actors -- Great Britain -- Biography; Irving, Henry, Sir, 1838-1905
The Masked Ball was a scene which allowed of any amount of fun, and it
was so vast that it was an added gain to have as many persons as
possible in it. To this end we kept, during the run, a whole rack in the
office full of dominoes, masks and slouched hats, so that any one who
had nothing else to do could in an instant make a suitable appearance on
the scene without being recognised. As the masculine dress of the time,
the forties, was very much the same as now, a simple domino passed
muster. I shall never forget my own appearance in the scene a few nights
after the opening. We had amongst others engaged a whole group of
clowns. There were eight of them, the best in England; the pantomime
season being still far off, they could thus employ their enforced
leisure—they were of course changed as their services were required
elsewhere according to their previously made agreements. These men had a
special dance of their own which was always a feature of the scene, and
in addition they used to play what pranks they would, rushing about,
making fun of others, climbing into boxes and then hauling others in, or
dropping them out—such pranks and _intrigué_ funniments as give life to
a scene of the kind. When I ventured amongst them they recognised me and
made a ring round me, dancing like demons. Then they seized me and spun
me round, and literally played ball with me, throwing me from one to the
other backwards and forwards. Sometimes they would rush me right down to
the footlights and then whirl me back again breathless. But all the time
they never let me fall or gave me away. I could not but admire their
physical power as well as their agility and dexterity in their own
craft.
The second time I went on I rather avoided them and kept up at the back
of the stage. But even here I was, from another cause of mirth, not
safe. I was lurking at the back when Irving, his face as set as flint
with the passion of the insult and the challenge in the play, came
hurriedly up the stage on his way to R.U.E. (right upper entrance). When
he saw me the passion and grimness of his face relaxed in an instant and
his laughter came explosively, fortunately unnoticed by the audience as
his back was towards them. I went after him and asked him what was
wrong, for I couldn’t myself see anything of a mirthful nature.
“My dear fellow!” he said, “it was you!” Then in answer to my look he
explained:
“Don’t you remember how we arranged when the scene was being elaborated
that in order to increase the effect of size we were to dress the
shorter extras and then boys and girls and then little children in
similar clothes to the others and to keep in their own section. You were
up amongst the small children and with your height”—I am six feet two in
my stockings—“with that voluminous domino and that great black feathered
hat and in the painted perspective you look fifty feet high!” And he
laughed again uproariously.
VI
Public-domain text, read in full here on John Shaqi.
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