quarry, one and all received a sudden check. There were many unintentional ejaculations of surprise and disappointment from the guests, and much suppressed laughter from the stage hands who were by this time all in the secret and watching from the wings. After that night there was a notable improvement in the table manners of the guests. One and all they took their food leisurely and examined it critically. And so the succulent sponge-cake in due time reappeared; there was no need for a second lesson against greed. XVI THE VALUE OF EXPERIMENT I In 1883 the Prince of Wales was very much interested in the creation and organisation of the new College of Music, and as funds had to be forthcoming very general efforts were made by the many who loved music and who loved the Prince. On one occasion the Prince hinted to Irving that it would show the interest of another and allied branch of art in the undertaking if the dramatic artists would give a benefit for the new College. He even suggested that _Robert Macaire_ would do excellently for the occasion and could have an “all-star” cast. Irving was delighted and got together a committee of actors to arrange the matter. By a process of natural selection Irving and Toole were appointed to Macaire and Jacques Strop. The Prince and Princess of Wales attended at the performance. The house was packed from floor to ceiling, and the result to the College of Music was £1002 8_s._ 6_d._—the entire receipts, Irving himself having paid all the expenses. An odd mistake was made by Irving later on with regard to this affair. In the first year of its working, when the class for dramatic study was organised, he was asked by the directorate to examine. This he was of course very pleased to do. In due season he made his examination and sent in his report. Then in sequence came a letter of thanks for his services. It was, though quite formal, a most genial and friendly letter, and to the signature was appended “Chairman.” In acknowledging it to Sir George Grove, the Director of the College, Irving said what a pleasure it had been to him to examine and how pleased he would be at all times to hold his services at the disposal of the College and so forth. He added by way of postscript: “By the way, who is our genial friend, Mr. Edward? I do not think I have met him!” He got a horrified letter sent by messenger from Sir George explaining that the signature was that of “Albert Edward”—now His Most Gracious Majesty Edward VII., R. et I. In his modest estimate of his own worth Irving had not even thought that the Prince of Wales would himself write. But the gracious act was like all the kindness and sweet courtesy which both as Prince and King he always extended to his loyal subject the player—Henry Irving. II