When in the second scene he rode into the inn yard on his skeleton steed Rosinante the effect was heightened. The scene was beautifully lit. There was a fine, rich, soft light from the moon, hung high in the semi-tropic sky. It softened everything to the possibilities of romance. One seemed to forget the unreality in the dim, quaint beauty. The very shadows seemed to be full of possibilities, and to hold a mystery of their own. No one who saw it can ever forget that spare, quaint figure marching up and down, lance on shoulder, watching his armour laid in front of the pump—a solemn, grim travesty of the vigil of a probationary knight. V In the preparation of _Don Quixote_ there was an incident which was not without its humorous aspect—though not to some of those who had a part in it. When it was decided that Rosinante was to be a factor in the play, Irving told the Property Master, Arnott, to get a horse as thin and ragged-looking as he could. “I think I know the very one, sir,” said Arnott. “It belongs to a baker who comes down Exeter Street every day. I shall look out for him to-morrow and get him to bring the horse for you to see!” In due course he saw the baker and arranged that he should on the next day bring the horse. The morrow came; but neither the baker nor the horse. Inquiries having been made, it turned out that on the morning arranged, as the baker was leading the horse down Bow Street to bring it to the Lyceum, an officer of the Society for the Prevention of Cruelty to Animals saw them, and being dissatisfied with the appearance of the animal, “ran in” both man and beast. The sitting magistrate went out to the police yard and made inspection for himself. When he came back to court where the prisoner was waiting in the dock, he said that the case was one of the worst within his experience and gave his decision: He fined the owner of the horse ten pounds; sent the man who had been arrested whilst in charge of it to prison for a week without option of a fine; and ordered the horse _to be killed_! XXIII ART AND HAZARD I When Irving read the report of the production of _Madame Sans-Gêne_ in Paris, he bought the British rights; but it was not till April 10, 1897, that the new play could be given. This was the Saturday before Holy Week; not in itself a good time, but it would get the play into swing for Easter.