Personal reminiscences of Henry IrvingStoker, Bram
General
Personal reminiscences of Henry Irving
Stoker, Bram
Actors -- Great Britain -- Biography; Irving, Henry, Sir, 1838-1905
Some days later, after a most cordial invitation from Irving, it was
arranged that he should choose exactly what date he wished and that all
should be ready for him. There could be no difficulty, as _Ravenswood_
was the only play then in the bill and would hold it alone till the
beginning of the new year. When he did come I met him and Mrs. Gladstone
at the private door and piloted them across the stage, which was the
nearest way to Irving’s box. The door to it was beside the corner where
Mr. Gladstone would sit.
Possibly it was that as Mr. Gladstone was then full of Irish matters my
book, being of Ireland and dealing with Irish ways and specially of a
case of oppression by a “gombeen” man under a loan secured on land,
interested him, for he had evidently read it carefully. As we walked
across the stage he spoke to me of it very kindly and very searchingly.
Of course I was more than pleased when he said:
“That scene at Mrs. Kelligan’s is fine—very fine indeed!”
Now it must be remembered that, in the interval between his getting the
book and when we met, had occurred one of the greatest troubles and
trials of his whole political life. The hopes which he had built through
the slow progress of years for the happy settlement of centuries-old
Irish troubles had been suddenly almost shattered by a bolt from the
blue, and his great intellect and enormous powers of work and
concentration had been for many days strained to the utmost to keep the
road of the future clear from the possibility of permanent destruction
following on temporary embarrassment. And yet in the midst of all he
found time to read—and remember, even to details and names—the work of
an unimportant friend.
When it had been known on the stage that Mr. Gladstone was coming that
night to sit behind the scenes the men seemed determined to make it a
gala occasion. They had prepared the corner where he was to sit as
though it were for Royalty. They had not only swept and dusted but had
scrubbed the floor; and they had rigged up a sort of canopy of crimson
velvet so that neither dust nor draught should come to the old man. His
chair was nicely padded and made comfortable. The stage men were all, as
though by chance, on the stage and all in their Sunday clothes. As the
Premier came in all hats went off. I showed Mr. Gladstone his nook and
told him, to his immense gratification, how the men had prepared it on
their own initiative. We chatted till the time drew near for the curtain
to go up. Then I fixed him in his place and showed him how to watch for
and avoid the drop-scene, the great roller of which would descend guided
by the steel cord drawn taut beside him. Lest there should be any danger
through his unfamiliarity with the ways of theatres, I signalled the
Master Carpenter to come to me and thus cautioned him:
“Would it not be well,” I said, “if some one stood near here in case of
accident?”
Public-domain text, read in full here on John Shaqi.
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