Personal reminiscences of Henry IrvingStoker, Bram
General
Personal reminiscences of Henry Irving
Stoker, Bram
Actors -- Great Britain -- Biography; Irving, Henry, Sir, 1838-1905
_Author._ _Play._
W. G. Wills Rienzi
„ Mephisto
„ King Arthur
„ Don Quixote
Frank Marshall Robert Emmett
Richard Voss Schuldig
J. I. C. Clarke George Washington
„ Don Quixote
Fergus Hume The Vestal
Penrhyn Stanlaws The End of the Hunting
H. T. Johnson The Jester King
Egerton Castle and Walter Pollock Saviolo
O. Booth and J. Dixon Jekyll and Hyde (from Stevenson)
J. M. Barrie The Professor’s Love Story
F. C. Burnand The Isle of St. Tropez
„ The Count
H. Guy Carleton The Balance of Comfort
Ludwig Fulda The Bloody Marriage[5]
Footnote 5:
This was dramatised for Irving by W. L. Courtney, but the opportunity
for its production had not come at the time of his last illness.
For obvious reasons I do not give what any of these authors received for
play or option or advance fees; but the total was over nine thousand
pounds.
Regarding one of the plays, Irving’s exact reason for not playing it was
that he felt it would not suit him—or rather that he would not suit it.
He liked the play extremely, and when after studying the _scenario_ very
carefully he had to come to the conclusion that it was not in his own
special range of work, he obtained permission from the author to submit
it to two of his friends in turn, John L. Toole and John Hare. Both
these players were delighted with the work, but neither had it in his
vogue. Finally another actor saw his way to it, and made with it both a
hit and fortune.
The play was Barrie’s _The Professor’s Love Story_; the actor who played
it E. S. Willard. This is a good instance of delayed fortune. For my own
part, knowing the peculiar excellences and strength of the three players
who refused it, I cannot but think that they were all right. The play is
an excellent one, but wants to be exactly fitted. Irving was naturally
too strong for it; Toole was a low comedian, and it is not in the vein
of low comedy; Hare’s incisive finesse would have militated against that
unconsciousness of effect which is the “note” of the Professor.
III
In addition to the above plays on which he adventured wholly or in part
Irving made efforts regarding plays by other authors, amongst whom were
Mrs. Steel, K. and Hesketh Pritchard, Marion Crawford, Sir Arthur Conan
Doyle, Henry Arthur Jones, W. L. Courtney, Miss Mary Wilkins, Robert
Barr. These included the possible dramatisation of several novels.
Public-domain text, read in full here on John Shaqi.
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