Personal reminiscences of Henry IrvingStoker, Bram
General
Personal reminiscences of Henry Irving
Stoker, Bram
Actors -- Great Britain -- Biography; Irving, Henry, Sir, 1838-1905
Before the production of _Faust_ in 1885 Irving took a party, including
Mr. and Mrs. Comyns Carr and Ellen Terry, to Nürnberg and Rothenburg to
study the ground. On the way home they went to Berlin. There Barnay gave
two special performances in his own theatre, the Berliner. The bill of
the play is in its way historical; the names of the honoured guests were
starred. The performances were of _Julius Cæsar_ and _The Merchant of
Venice_.
IV
The Grand Duke of Saxe-Meiningen, to whose theatre the Meiningen Company
belonged, sent to Irving an Order of his own Court. Later on, however,
when he had seen Irving play and had met him, he said that the Order
sent him was not good enough for so distinguished a man. He accordingly
bestowed on him—with the consent and co-operation of the Grand Duke of
Saxe-Coburg-Gotha (His Royal Highness the Duke of Edinburgh)—the Order
of the Komthur Cross of the Second Class of the Ducal Saxon Ernestine
House Order—a distinction, I believe, of high local dignity, carrying
with it something in the shape of knighthood. Irving wore the Collar of
the Order on the night of 25th May 1897 when the Grand Duke of
Saxe-Meiningen came to supper with him in the Beefsteak Room—the only
time I think when he wore the insignia of this special honour.
Irving’s first meeting with the Grand Duke was preceded by an odd
circumstance. This was on the evening of 28th May 1885.
I was passing across the stage between the acts when I saw a stranger—a
tall, distinguished-looking old gentleman. I bowed and told him that no
one was allowed on the stage without special permission. He bowed in
return, and said:
“I thought that permission would have been accorded to me!”
“The rule,” said I, “is inviolable. I fear I must ask you to come with
me to the auditorium. This will put us right; and then I can take any
message you wish to Mr. Irving.”
“May I tell you who I am?” he asked.
“I am sorry,” I said, “but I fear I cannot ask you till we are outside.
You see, I am the person responsible for carrying out the rules of the
theatre. And no matter who it may be I have to do the duty which I have
undertaken.”
“You are quite right!... I shall come with pleasure!” he said with very
grave and sweet politeness. When we had passed through the iron door—
which had chanced to be open, and so he had found his way in—I said as
nicely as I could, for his fine manner and his diction and his
willingness to obey orders charmed me:
“I trust you will pardon me, sir, in case my request to leave the stage
may have seemed too imperative or in any way wanting in courtesy. But
duty is duty. Now will you kindly give me your name and I will go at
once and ask Mr. Irving’s permission to bring you on the stage, and to
see him if you will!”
Public-domain text, read in full here on John Shaqi.
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