III By the way, a curious evidence of the truth of its emotional effect came one night, not very long after the play began its long career. I was in my office just after the curtain had gone up on the fourth act when I was sent for to the front of the house to see some one. In the vestibule I found a tall, powerful, handsome man. He had masterful eyes, a resonant voice and a mouth that shut like steel. A most interesting personality I thought. I introduced myself, and as I had been told he had expressed a wish to see Irving I asked him if he could wait a little as the curtain had gone up. He was very cheery and friendly, and he said at once: “Of course I’ll wait. I’ve just come to London and I came at once to see my cousin Johnny. I haven’t seen him since we were boys.” I had been trying to place him. This gave me the clue I wanted. “Are you John Penberthy?” I asked. This delighted him, and he shook my hand again. I said that I had often heard of him. From the moment of our meeting we became friends. John Penberthy was one of the sons of Sarah Behenna, sister of Irving’s mother, who had married Captain Isaac Penberthy, a famous mining captain of his time in Cornwall. Whilst a very young man John had gone to South America and had soon become, by his courage and forceful character as well as by his gifts and skill as a miner himself, a great mining captain. He was mostly in the silver mines; he it was who had developed and worked the great Huanchaca mine in Bolivia. For some twenty or more years he had lived in a place and under conditions where a quick eye and a ready hand were the surest guarantees of long life—especially to a man who had to control the fierce spirits of a Spanish mine. I took him round on the stage, thinking what a surprise as well as a pleasure it would be to Irving to find him there when he came off after the scene. He at once got deeply interested in the scene going on, and now and again as I stood beside him I could see his strong hands closed and hear him grind his teeth. When the scene was over and Irving and Ellen Terry were bowing in the glare of the footlights amid a storm of applause, Captain Penberthy turned to me, his face blazing with generous anger, and said in his native Cornwall accent which he had never lost: “It was a damned good job for that cur Claudio that I hadn’t my shootin’ irons on me. If I had I’d soon have blasted hell out of him!” IV