Let it be clearly understood here, however, that I say this not to belittle Irving, but to add to his honour. In addition to other grand qualities he had the greatness to trust where trust was due. With him lay all the great conception and imagination and originality of all his accomplishments. He was quite content that others should have their share of honour. When one considers the amazing labour and expense concerned in the “production” of a play, he is better able to estimate the value of devoted and trusted assistance. V Even the thousand and one details of the business of a theatre need endless work and care—work which would in the long run shatter entirely the sensitive nervous system of an artist. In fact it may be taken for granted that no artist can properly attend to his own business. As an instance I may point to Whistler, who, long after he had made money and lost it again and had begun to build up his fortune afresh, came to me for some personal advice before going to America to deliver his “Five o’clock” discourse. In the course of our conversation he said: “Bram, I wish I could get some one to take me up and attend to my business for me—I can’t do it myself; and I really think it would be worth a good man’s while—some man like yourself,” he courteously added. “I would give half of all I earned to such a man, and would be grateful to him also for a life without care!” I think myself he was quite right. He was before his time—long before it. He did fine work and created a new public taste ... and he became bankrupt. His house and all he had were sold; and the whole sum he owed would, I think, have been covered by the proper sale of a few of the pictures which were bought almost _en bloc_ by a picture-dealer who sold them for almost any price offered. He had a mass of them in his gallery several feet thick as they were piled against the wall. One of them he sold to Irving for either £20 or £40, I forget which. This was the great picture of Irving as King Philip in Tennyson’s drama _Queen Mary_. It was sold at Christie’s amongst Irving’s other effects after his death and fetched over five thousand pounds sterling. VI During the run of _Cymbeline_ a pause of one night was made for a special occasion. November 25, 1896, was the twenty-fifth anniversary of the first performance of _The Bells_, and on that memorable birth-night the performance was repeated to an immense house enthusiastic to the last degree.