I have not considered Professor James' merits as a dialectician, or Mr. Galsworthy's as a dramatist. I have attempted to hint at that quality in them which is called "humanism," humanism in thought, humanism in ethics--the quality which makes men seek to judge ideas, institutions and things by what they are worth to human beings for their most pressing, their most vital needs. It is evident that this same "humanism" is beginning to manifest itself in politics, religion and even literary criticism. Clearly it tends at all times to set up individual conviction against authority, freedom against discipline. It has as its virtue the quality of being opposed to red tape, professionalism, departmentalism pedantry, officiousness, intolerance, lethargy, and the tyranny of custom; it has its dangers in that, resting as it does in the last resort on the personal and the concrete, it tends in ill-balanced minds to neglect the value of ancient and dear illusions, and to degenerate into chaos and caprice. Chaos, however, is not so much to be feared as those "little provisional fools' paradises of belief" exposed so brilliantly by William James. PART THREE LITERATURE AND MEN I BERNARD SHAW It is doubtful if any person in England exercises so many-sided and so considerable an influence as that of Mr. Bernard Shaw. It is not that his books are read by very many thousands of readers; that his plays have long runs or can compete in popularity with those of Mr. Barrie or the Gaiety Theatre; that his lectures and speeches are reported so fully as those of an ordinary Cabinet Minister; that his letters to the newspapers are as numerous as those of Mr. Algernon Ashton or Dr. Clifford in his prime. He seldom demonstrates his power by passing Acts of Parliament or organising garden parties. He figures less often in the Social and Personal columns than Sir H. Beerbohm Tree. He is not so well known in the law courts as Mr. Horatio Bottomley. Yet there is no other man in England who is so conspicuous in so many spheres of activity, and wherever he appears he is always _facile princeps_ in the public eye. Everyone who has any knowledge of him is compelled to think about him, and those who have no direct knowledge of him--so insidious is his influence--are to be found constantly thinking in terms of Bernard Shaw. The active, talking, persuading, book-writing, lecturing, propagandist population of England has been bitten by him; it re-writes and popularises him; it even talks his jargon when it is criticising him. It began by regarding him as a brilliant and witty writer whom no one could take seriously; it now regards him as a serious, and indeed responsible, thinker whose wit is a matter of harmless inspiration, and often a tactical advantage.