Peru as It Is, Volume 1 (of 2): A Residence in Lima, and Other Parts of the Peruvian Republic, Comprising an Account of the Social and Physical Features of That CountrySmith, Archibald
History
Peru as It Is, Volume 1 (of 2): A Residence in Lima, and Other Parts of the Peruvian Republic, Comprising an Account of the Social and Physical Features of That Country
Smith, Archibald
Peru -- Description and travel
+----------------------+------------+---------+----------------------+
| Intermarriages. | Offspring. | Colour. | Mixture. |
+---------+------------+------------+---------+----------------------+
| Men. | Women. | | | |
+---------+------------+------------+---------+----------------------+
|European | European | Creole | White | — |
|Creole | Creole | Creole | White | — |
|White | Indian | Mestizoe | White | — |
|White | Mestiza | Creole | White | — |
|White | Negress | Mulatto | — | 1/2 negro, 1/2 white.|
|White | Mulatta | Quarteron | — | 1/4 negro, 3/4 white.|
|White | Quarterona | Quinteron | — | 1/8 negro, 7/8 white.|
|White | Quinterona | White | — | — |
|Negro | Indian | Chino | — | — |
+---------+------------+------------+---------+----------------------+
The same author gives the following as the retrograde intermarriages, by
which the offspring are of a more dingy appearance, and made to recede
more and more from white, which he takes as the standard primitive colour.
Marriages. Offspring. Colour.
Negro, Negress, Negro.
Negro, Mulatta, Zambo, 3/4 negro, 1/4 white.
Negro, Zamba, Dark Zambo, 7/8 negro, 1/8 white.
Negro, Dark Zambo, Negro, 15/16 negro, 1/16 white.
Negro, China, Zambo.
[6] This idea is not founded on experience; for that the Indian women are
really good nurses is proved by the fact, that the offspring of European
fathers and Indian mothers,—viz. the Mestizo race,—are very robust.
[7] See Appendix, Art. Ecclesiastical Jubilee.
[8] This dress, peculiarly characteristic of Lima, is little known in
other parts of the country, if we except Truxillo. Captain Basil Hall in
his Journal, vol. i. p. 106, describes it very correctly. “This dress,”
says he, “consists of two parts, one called the saya, the other the
manto. The first is a petticoat, made to fit so tightly, that, being at
the same time quite elastic, the form of the limbs is rendered distinctly
visible. The manto, or cloak, is also a petticoat; but, instead of
hanging about the heels, as all honest petticoats ought to do, it is
drawn over the head, breast, and face; and is kept so close by the hands,
which it also conceals, that no part of the body, except one eye, and
sometimes only a small portion of one eye, is perceptible.”
Public-domain text, read in full here on John Shaqi.
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