Peter: A Novel of Which He is Not the HeroSmith, Francis Hopkinson
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Peter: A Novel of Which He is Not the Hero
Smith, Francis Hopkinson
Bank tellers -- Fiction; New York (N.Y.) -- Fiction; Wall Street (New York, N.Y.) -- Fiction
News of Ruth's expected arrival had reached the village, and the crowd
at the station had increased. On its inner circle, close to a gate
leading from the platform, stood a young man in a slouch hat, with his
left wrist bandaged. The arm had hung in a sling until the train rolled
in, then the silk support had been slipped and hidden in his pocket.
Under the slouch hat, the white edge of a bandage was visible which
the wearer vainly tried to conceal by pulling the hat further on
his head,--this subterfuge also concealed a dark scar on his temple.
Whenever the young man pressed closer to the gate, the crowd would fall
back as if to give him room. Now and then one would come up, grab his
well hand and pat his shoulder approvingly. He seemed to be as much an
object of interest as the daughter of the injured boss.
When Ruth gained the gate the wounded man laid his fingers on her gloved
wrist. The girl started back, peered into his face, and uttered a cry of
relief.
“Mr. Breen!” For one wild moment a spirit of overwhelming joy welled up
in her heart and shone out of her eyes. Thank God he was not dead!
“Yes, Miss Ruth,--what is left of me. I wanted to see you as soon as you
reached here. You must not be alarmed about your father.” The voice did
not sound like Jack's.
“Is he worse? Tell me quick!” she exclaimed, the old fear confronting
her.
“No. He is all right,” he wheezed, “and is going to get well. His left
arm is broken and his head badly cut, but he is out of danger. The
doctor told me so an hour ago.”
“And you?” she pleaded, clinging to his proffered hand.
“Oh! I am all right, too. The smoke got into my throat so I croak, but
that is nothing. Why, Mr. Grayson,--and Miss Felicia! I am so glad, Miss
Ruth, that you did not have to come alone! This way, everybody.”
Without other words they hurried into the carriage, driving like mad for
the cottage, a mile away; all the worn look gone from Ruth's face.
“And you're not hurt, my boy?” asked Peter in a trembling voice--Jack's
well hand in his own.
“No, only a few scratches, sir; that's all. Bolton's hand's in a bad
way, though; lose two of his fingers, I'm afraid.”
“And how did you escape?”
“I don't know. I got out the best way I could. First thing I knew I was
lying on the grass and some one was pouring water over my head; then
they got me home and put me to bed.”
“And MacFarlane?”
“Oh, he came along with me. I had to help him some.”
Peter heaved a sigh of relief, then he asked:
“How did it happen?”
“Nobody knows. One of the shanty men might have dropped a box of
fulminates. Poor fellow,--he never knew; they could find nothing of
him,” Jack whispered behind his hand so Ruth would not hear.
“But when did you get out of bed?” continued Peter. He was less anxious
now.
Jack looked at Ruth and again lowered his voice; the sound of the
carriage preventing its hoarse notes from reaching her ears.
Public-domain text, read in full here on John Shaqi.
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