Peter: A Novel of Which He is Not the HeroSmith, Francis Hopkinson
General
Peter: A Novel of Which He is Not the Hero
Smith, Francis Hopkinson
Bank tellers -- Fiction; New York (N.Y.) -- Fiction; Wall Street (New York, N.Y.) -- Fiction
And so the airy bubble filled with his own and Ruth's iridescent
hopes,--a bubble which had floated before him as he tramped through the
cool woods, and out upon the hillside, vanished into thin air.
For with Ruth's arms around him, her lips close to his, her boundless
enthusiasm filling his soul, the boy's emotions had for the time
overcome his judgment. So much so that all the way up in the train he
had been “supposing” and resupposing. Even the reply of the town clerk
had set his heart to thumping; his uncle had sent some one then! Then
came the thought,--Yes, to boom one of his misleading prospectuses--and
for a time the pounding had ceased: by no possible combination now,
either honest or dishonest, could the two properties be considered one
and the same mine.
Again his thoughts went back to Ruth. He knew how keenly she would be
disappointed. She had made him promise to telegraph her at once if his
own and her father's inspection of the ore lands should hold out any
rose-colored prospects for the future. This he had not now the heart to
do. One thing, however, he must do, and at once, and that was to write
to Peter, or see him immediately on his return. There was no use now
of the old fellow talking the matter over with the director; there was
nothing to talk over, except a bare hill three miles from anywhere,
covering a possible deposit of doubtful richness and which, whether good
or bad, would cost more to get to market than it was worth.
They were on the extreme edge of the forest when the final decision was
reached, MacFarlane leaning against a rock, the level and tripod tilted
against his arm, Jack sitting on a fallen tree, the map spread out on
his knees.
For some minutes Jack sat silent, his eyes roaming over the landscape.
Below him stretched an undulating mantle of velvet, laid loosely over
valley, ravine and hill, embroidered in tints of corn-yellow, purplings
of full-blossomed clover and the softer greens of meadow and swamp. In
and out, now straight, now in curves and bows, was threaded a ribbon
of silver, with here and there a connecting mirror in which flashed the
sun. Bordering its furthermost edge a chain of mountains lost themselves
in low, rolling clouds, while here and there, in its many crumplings,
were studded jewels of barn stack and house, their facets aflame in the
morning light.
Jack absorbed it all, its beauty filling his soul, the sunshine bathing
his cheeks. Soon all trace of his disappointment vanished: with Ruth
here,--with his work to occupy him,--and this mighty, all-inspiring,
all-intoxicating sweep of loveliness spread out, his own and Ruth's
every hour of the day and night, what did ore beds or anything else
matter?
MacFarlane's voice woke him to consciousness. He had called to him
before, but the boy had not heard.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account