Peter: A Novel of Which He is Not the HeroSmith, Francis Hopkinson
General
Peter: A Novel of Which He is Not the Hero
Smith, Francis Hopkinson
Bank tellers -- Fiction; New York (N.Y.) -- Fiction; Wall Street (New York, N.Y.) -- Fiction
All day long boys in white aprons had sprung from canvas-covered wagons,
dived in Arthur Breen's kitchen and dived out again after depositing
various eatables, drinkables and cookables--among them six pair
of redheads, two saddles of mutton, besides such uncanny things as
mushrooms, truffles and the like, all of which had been turned over to
the chef, who was expressly engaged for the occasion, and whose white
cap--to quote Parkins--“Gives a hair to the scullery which reminded
him more of 'ome than anything 'e 'ad seen since 'e left 'is lordship's
service.”
Upstairs more wonderful things had been done. The table of the
sepulchral dining-room was transformed into a bed of tulips, the mantel
a parterre of flowers, while the sideboard, its rear packed with the
family silver, was guarded by a row of bottles of various sizes, shapes
and colors; various degrees of cob webbed shabbiness, too--containing
the priceless vintages which the senior member of the firm of Breen &
Co. intended to set before his friends.
Finally, as the dinner hour approached, all the gas jets were ablaze;
not only the side lights in the main hall, and the overhead lantern
which had shed its rays on Peter's bald head, but the huge glass
chandelier hung in the middle of the satin-upholstered drawing room, as
well as the candelabra on the mantel with their imitation wax candles
and brass wicks--everything, in fact, that could add to the brilliancy
of the occasion.
All this, despite the orderly way in which the millionaire's house was
run, had developed a certain nervous anxiety in the host himself, the
effect of which had not yet worn off, although but a few minutes would
elapse before the arrival of the guests. This was apparent in the
rise and fall of Breen's heels, as he seesawed back and forth on the
hearth-rug in the satin-lined drawing-room, with his coattails spread to
the lifeless grate, and from the way he glanced nervously at the mirror
to see that his cravat was properly tied and that his collar did not
ride up in the back.
The only calm person in the house was the ex-widow. With the eyes of a
major-general sweeping the field on the eve of an important battle, she
had taken in the disposition of the furniture, the hang of the curtains
and the placing of the cushions and lesser comforts. She had also
arranged with her own hands the masses of narcissus and jonquils on the
mantels, and had selected the exact shade of yellow tulips which centred
the dining-room table. It was to be a “Gold-Mine Dinner,” so Arthur had
told her, “and everything must be in harmony.”
Then seeing Parkins, who had entered unexpectedly and caught her in the
act (it is bad form for a hostess to arrange flowers in some houses--the
butler does that), she asked in an indifferent tone: “And how many are
we to have for dinner, Parkins?” She knew, of course, having spent an
hour over a diagram placing the guests.
“Fourteen, my lady.”
Public-domain text, read in full here on John Shaqi.
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