Peter: A Novel of Which He is Not the HeroSmith, Francis Hopkinson
General
Peter: A Novel of Which He is Not the Hero
Smith, Francis Hopkinson
Bank tellers -- Fiction; New York (N.Y.) -- Fiction; Wall Street (New York, N.Y.) -- Fiction
“There, just above the vines, my dear Major,” interrupted Miss Felicia,
pointing upward. “Come and let me show you my frog pond--” and away we
went along the brick paths, bordered with pots of flowers, to a tiny
lake covered with lily-pads and circled by water-plants.
“I did not want a greenhouse--I wanted a back yard,” she continued,
“and I just would have it. Holker sent his men up, and on three sides
we built a wall that looked a hundred years old--but it is not five--and
roofed it over with glass, and just where you see the little flight
of stairs is the heat. That old arbor in the corner has been here ever
since I was a child, and so have the syringa bushes and the green box
next the wall. I wanted them all the year round--not just for three or
four months in the year--and that witch Holker said he could do it, and
he has. Half the weddings in town have been begun right on that bench,
and when the lanterns are lighted and the fountain turned on outside, no
gentleman ever escapes. You and Peter are immune, so I sha'n't waste
any of my precious ammunition on you. And now what will you wear in your
button-hole--a gardenia, or some violets? Ruth will be down in a minute,
and you must look your prettiest.”
But if the frog pond, damp porch and old-fashioned garden had come as a
surprise, what shall I say of the rest of Miss Felicia's house which I
am now about to inspect under Peter's guidance.
“Here, come along,” he cried, slipping his arm through mine. “You have
had enough of the garden, for between you and me, my dear Major”--here
he looked askance at Miss Felicia--“I think it an admirable place in
which to take cold, and that's why--” and he passed his hand over
his scalp--“I always insist on wearing my hat when I walk here. Mere
question of imagination, perhaps, but old fellows like you and me should
take no chances--” and he laughed heartily.
“This room was my father's,” continued Peter. “The bookcases have still
some of the volumes he loved; he liked the low ceiling and the big
fireplace, and always wrote here--it was his library, really. There
opens the old drawing-room and next to it is Felicia's den, where she
concocts most of her deviltry, and the dining-room beyond--and that's
all there is on this floor, except the kitchen, which you'll hear from
later.”
And as Peter rattled on, telling me the history of this and that piece
of old furniture, or portrait, or queer clock, my eyes were absorbing
the air of cosey comfort that permeated every corner of the several
rooms. Everything had the air of being used. In the library the chairs
were of leather, stretched into saggy folds by many tired backs; the
wide, high fender fronting the hearth, though polished so that you could
see your face in it, showed the marks of many a drying shoe, while on
the bricks framing the fireplace could still be seen the scratchings of
countless matches.
Public-domain text, read in full here on John Shaqi.
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