Abelard, Peter, 1079-1142; Theologians -- France -- Biography; Theology -- History -- Middle Ages, 600-1500
There are those whose sole knowledge of Heloise is derived from the
reading of Pope’s well-known poem, which is taken to be a metrical
exposition of her first letter. With such an impression, and a few
broad outlines of the life of the lovers, one is well prepared to
accept the assertion of a parallel with the _Portuguese Letters_
and other of the _lettres amoureuses_ which were so dear to the
eighteenth century. Probably few who compare Pope with the original,
or indeed read him without comparison, will agree with Hallam that
he has put ‘the sentiments of a coarse and abandoned woman into
her mouth.’ Johnson found ‘no crudeness of sense, no asperity of
language’ in Pope’s poem. Yet no one who has carefully read the
original will fail to perceive that Pope has given a greatly
distorted version of it. French versifiers found it ‘un amusement
littéraire et galant,’ as has been said of Bussy-Rabutin’s version,
to isolate the element of passion in the finer soul of Heloise, and
thus present her as a twelfth-century Marianne Alcoforado. Pope has
yielded somewhat to the same spirit. He does indeed introduce the
intellectual judgment and the complex ethical feeling of Heloise
in his poem, but he alters the proportions of the psychic elements
in her letter, and prepares the way for a false estimate. Pope’s
_Heloise_ is framed in the eighteenth century as naturally as the
real _Heloise_ is in the twelfth. Still, it must be remembered that
Pope did not write from the original Latin letters. He evidently used
some of the so-called ‘translations,’ but really paraphrases, of his
time.[21]
[21] Mr. Leslie Stephen has kindly drawn my attention to Elwin’s
theory (Pope’s Works) that he followed the translation of J.
Hughes, author of the _Siege of Damascus_. Hughes’s ‘translation’
was little more faithful than the current French versions; it is
largely a work of imagination. Careful comparison does seem to
show that Pope used this version, but he seems also to have used
some of the very misleading French paraphrases. Elwin himself
thinks Pope did not look at the original Latin.
Public-domain text, read in full here on John Shaqi.
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