Abelard, Peter, 1079-1142; Theologians -- France -- Biography; Theology -- History -- Middle Ages, 600-1500
The theory is ingenious, but hardly necessary. Abélard says that the
court interfered because it did not desire any change in the free
life of the royal abbey, and consequently preferred to keep him out
of it. That is also ingenious, and complimentary to Abélard. But
it is not a little doubtful whether anybody credited him with the
smallest influence at St. Denis. We shall probably not be far from
the truth if we suppose a court intrigue on the monk’s behalf which
his friends did not think it necessary to communicate fully to him.
Geoffrey of Chartres and other friends of his were French nobles.
Many of his pupils had that golden key which would at any time give
access to Étienne de Garlande.
In any case Stephen and Suger had a private discussion of the matter,
and the two politicians soon found a way out of the difficulty.
Abélard received an order to appear before the king and his council.
The comedy—though it was no comedy for Abélard—probably took place
at St. Denis. Louis the Fat presided, in robes of solemn purple,
with ermine border. Étienne de Garlande and the other councillors
glittered at his side. Abbot Suger and his council were there to
defend the ‘honour’ of the abbey; and Brother Peter, worn with
anxiety and suffering, came to make a plea for liberty. Louis bids
the abbot declare what solution of the difficulty his chapter has
discovered. Suger gravely explains that the honour of their abbey
does not permit them to allow the fugitive monk to join any other
monastery. So much to save the face of the abbey. Yet there is a
middle course possible, the abbot graciously continues: Brother Peter
may be permitted to live a regular life in the character of a hermit.
Brother Peter expresses his satisfaction at the decision—it was
precisely the arrangement he desired—and departs from the abbey with
his friends, a free man once more, never again, he thinks, to fall
into the power of monk or prelate.
CHAPTER IX
BACK TO CHAMPAGNE
The scene of the next act in Abélard’s dramatic career is a bright,
restful valley in the heart of Champagne. It is the summer of 1122,
and the limpid Arduzon rolls through enchantingly in its course
towards the Seine. In the meadow beside it are two huts and a small
oratory, rudely fashioned from the branches of trees and reeds from
the river, and daubed over with mud. No other sign of human presence
can be seen. Abélard and one companion are the only human beings to
be found for miles. And even all thought of the cities of men and the
sordid passions they shelter is arrested by the great forests of oak
and beech which hem in the narrow horizon and guard the restfulness
of the valley.
Public-domain text, read in full here on John Shaqi.
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