Abelard, Peter, 1079-1142; Theologians -- France -- Biography; Theology -- History -- Middle Ages, 600-1500
The first definite complaint that reached his ears referred to the
dedication of his oratory. Though formally dedicated to the Trinity,
it was especially devoted to the Holy Spirit, in the character of
Paraclete (Comforter); indeed both it and the later nunnery were
known familiarly as ‘the Paraclete.’ Some captious critics had, it
appears, raised a question whether it was lawful to dedicate a chapel
to one isolated member of the Trinity. The question was absurd, for
the Church frequently offers worship to the Holy Spirit, without
mentioning the Father and the Son. The cautious Abélard, however,
defends his dedication at great length. A second attack was made
under the pretext of questioning the propriety of an image of the
Trinity which was found in the oratory. Some sculptor in the colony
had endeavoured to give an ingenious representation of the Trinity
in stone. He had carved three equal figures from one block of stone,
and had cut on them inscriptions appropriate to each Person of the
Trinity.[20] Such devices were common in the Church, common in
all Trinitarian religions, in fact. But Abélard was credited with
intentions and interpretations in everything he did. Neither of
these incidents proved serious, however. It was not until Abélard
heard that Alberic and Lotulphe were inciting ‘the new apostles’ to
assail him that he became seriously alarmed. The new apostles were
Bernard of Clairvaux and Norbert of Prémontré.
[20] The statue was preserved in a neighbouring church until the
eighteenth century. It was destroyed at the Revolution.
Not many leagues from the merry valley on the Arduzon was another
vale that had been peopled by men from the cities. It was a dark,
depressing valley, into which the sun rarely struggled. The Valley of
Wormwood men called it, for it was in the heart of a wild, sombre,
chilly forest. The men who buried themselves in it were fugitives,
not merely from the hot breath of the cities and the ugly deeds of
their fellows, but even from the gentler inspiration of nature, even
from its purest thrills. They had had a vision of a golden city, and
believed it was to be entered by the path of self-torture. The narrow
windows of their monastery let in but little of the scanty light of
the valley. With coarse bread and herbs, and a few hours’ sleep on
boxes of dried leaves, they made a grudging concession to the law of
living. But a joke was a sacrilege in the Valley of Wormwood, and a
song a piece of supreme folly. The only sound that told the ravens
and the owls of the presence of man was the weird, minor chant for
hours together, that did not even seem to break the silence of the
sombre spot. By day, the white-robed, solemn shades went about their
work in silence. The Great Father had made the pilgrimage to heaven
so arduous a task that they dare not talk by the wayside.
Public-domain text, read in full here on John Shaqi.
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