It is something like listening for the overtones of a musical note; we
do not hear them at first, though they are there, clamoring for
recognition; and when at last we hear them, we wonder at our former
obtuseness, so distinct are they.
Let a man with an average ear, however uncultivated, strike the C low
down on a good piano-forte, keeping his foot on the loud pedal. At first
he will hear nothing but the rich fundamental note C.
But let him become _expectant_ of certain other notes; for instance, of
the C in the octave immediately above, then the G immediately above
that, then the E higher still; he will hear them all in time as clearly
as the note originally struck; and, finally, a shrill little ghostly and
quite importunate B flat in the treble will pulsate so loudly in his ear
that he will never cease to hear it whenever that low C is sounded.
By just such a process, only with infinitely more pains (and in the end
with what pleasure and surprise), will he grow aware in time of a dim,
latent, antenatal experience that underlies his own personal experience
of this life.
We also found that we were able not only to assist as mere spectators at
such past scenes as I have described (and they were endless), but also
to identify ourselves occasionally with the actors, and cease for the
moment to be Mary Seraskier and Peter Ibbetson. Notably was this the
case with Gatienne. We could each be Gatienne for a space (though never
both of us together), and when we resumed our own personality again we
carried back with it a portion of hers, never to be lost again--a
strange phenomenon, if the reader will but think of it, and
constituting the germ of a comparative personal immortality on earth.
At my work in prison, even, I could distinctly remember having been
Gatienne; so that for the time being, Gatienne, a provincial French
woman who lived a hundred years ago, was contentedly undergoing penal
servitude in an English jail during the latter half of the
nineteenth century.
A questionable privilege, perhaps.
But to make up for it, when she was not alive in me she could be brought
to life in Mary (only in one at a time, it seemed), and travel by rail
and steamer, and know the uses of gas and electricity, and read the
telegrams of "our special correspondents" in the _Times_, and taste her
nineteenth century under more favorable conditions.
Thus we took _la belle Verriere_ by turns, and she saw and heard things
she little dreamed of a hundred years ago. Besides, she was made to
share in the glories of "Magna sed Apta."
And the better we knew her the more we loved her; she was a very nice
person to descend from, and Mary and I were well agreed that we could
not have chosen a better great-great-grandmother, and wondered what each
of our seven others was like, for we had fifteen of these between us,
and as many great-great-grandfathers.
Public-domain text, read in full here on John Shaqi.
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