But, strange and incomprehensible as it seems, she had forgotten her
gloves; she had left them behind her. One was on the bench, one was on
the ground; poor old gloves that had been mended, with the well-known
shape of her dear hand in them; every fold and crease preserved as in a
mould--the very cast of her finger-nails; and the scent of sandal-wood
she and her mother had so loved.
I laid them side by side, palms upward, on the bench where we had sat
the night before. No dream-wind has blown them away; no dream-thief has
stolen them; there they lie still, and will lie till the great change
comes over me, and I am one with their owner.
* * * * *
I am there every night--in the lovely spring or autumn
sunshine--meditating, remembering, taking notes--dream-notes to be
learned by heard, and used next day for a real purpose.
I walk round and round, or sit on the benches, or lie in the grass by
the brink, and smoke cigarettes without end, and watch the old
amphibious life I found so charming half a century ago, and find it
charming still.
Sometimes I dive into the forest (which has now been razed to the
ground. Ever since 1870 there is an open space all round the Mare
d'Auteuil. I had seen it since then in a dream with Mary, who went to
Paris after the war, and mad pilgrimages by day to all the places so
dear to our hearts, and so changed; and again, when the night came,
with me for a fellow-pilgrim. It was a sad disenchantment for us both).
_My_ Mare d'Auteuil, where I spend so many hours, is the Mare d'Auteuil
of Louis Philippe, unchangeable except for such slight changes as _will_
occur, now and then, between the years 1839 and 1846: a broken bench
mended, a new barrier put up by the high-road, a small wooden dike
where the brink is giving way.
[Illustration: "I AM THERE EVERY NIGHT."]
And the thicket beside and behind it is dark and dense for miles, with
many tall trees and a rich, tangled undergrowth.
There is a giant oak which it is difficult to find in that labyrinth (it
now stands, for the world, alone in the open; an ornament to the Auteuil
race-course) I have often climbed it as a boy, with Mimsey and the
rest; I cannot climb it now, but I love to lie on the grass in its
shade, and dream in my dream there, shut in on all sides by fragrant,
impenetrable verdure; with birds and bees and butterflies and
dragon-flies and strange beetles and little field-mice with bright eyes,
and lithe spotted snakes and lively brown squirrels and beautiful green
lizards for my company. Now and then a gentle roebuck comes and feeds
close by me without fear, and the mole throws up his little mound of
earth and takes an airing.
It is a very charming solitude.
Public-domain text, read in full here on John Shaqi.
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