Still, infatuation apart, it really was a jolly house; and by the time
that Charlie Tebbits, assisted by Harry Tebbits, old man Tebbits, Miss
Tebbits, and an amazing handyman from Little Arlsfield, had laid
carpets, tacked down linoleum, hung curtains, arranged old furniture and
carried up new; Patricia could honestly look round and say to herself:
“This is just how I planned things the day I first saw it.”
She spent a whole twenty-four hours wandering from the berugged
cream-papered hall into Peter’s little study, (for which Charlie Tebbits
was still making her walnut bookshelves to match Peter’s writing-table),
through the dining-room and the servants’ quarters; up the balustered
dark-blue-carpeted staircase, (stopping always to look out from the
window-seat on the half-landing) to the nurseries, gay with Cecil Aldin
hunting-friezes, with chintz curtains and shiny white furniture; and
from there (giving only a casual glance at the spare room) into her own
bedroom and Peter’s dressing-room—white-papered both, both looking out
across the orchard towards the river.
Her own room, except for the blue carpet saved from the cupidity of M.
Van Woumen, contained no relics of Lowndes Square: the low gray-painted
Empire bedstead of carved wood and basket-work, she had “looted” from
her father’s house in Harley Street; Tebbits’ ingenuity provided
flounced dressing-table to match; artfully enclosed wall-spaces evaded
the difficulties of a wardrobe; the fireplace (as all the fireplaces at
Sunflowers) was of irreproachable white tilework, devoid of unnecessary
brass and iron. But Peter’s dressing-room contained all Peter’s own
familiar furniture—his mahogany bow-fronted wardrobe, his brass
bedstead, the glass-doored wall-case of guns and hunting-crops and
fishing-rods, his collection of hunting prints.
“He must like the place,” she kept saying to herself, “he _will_ like
it.”
For Sunflowers represented—though Patricia would never have admitted
the fact—her last bid for Peter’s love. Their house in Lowndes Square
had been a ready-made residence, full of Peter’s inherited chattels:
entering it, she too had become his chattel—mere Mrs. Jameson. Whereas
Sunflowers was of her own finding, her own creating; the house she,
Patricia, would make “home” for her man against his return from the
wars.
§ 2
Rainy June turned to a glorious July. Patricia found two servants;
engaged a gardener; sent for the children; dismissed their governess;
was “called on” by the vicar and half-a-dozen neighbours—and began to
buy her experience of life on a moderate income in the English
home-counties.
Public-domain text, read in full here on John Shaqi.
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