“Francis has probably told you about me. I am his cousin’s wife—his
cousin Peter’s wife. He does not know I am writing to you—he has never
told me _or any one_ about you. I am writing this in his house—he is
not here. I don’t quite know what to say to you. I can only tell you
that he needs you _very desperately_. If you love him you ought to come
to him. I don’t know if you love him or if you can come to him—but I do
know that it is a question of life or death for Francis.” . . .
She signed her name and address legibly at foot of the letter; rose with
it in her hand; walked to the fireplace; dried the single sheet at the
flame. Again, the whole affair seemed fantastic. She wanted to throw the
letter on the fire: till, looking over her shoulder, she saw the pistol,
black and menacing on the desk-top.
She rang the bell; walked back to the writing-desk; found an envelope,
folded the sheet; sealed it up.
“You rang for me, Madam,” said Prout, appearing silently in the doorway.
“Yes.” She handed him the closed envelope. “You know Miss Cochrane’s
address, I suppose.”
“Yes, Madam”—obviously, the valet wanted to thank her, to ask
questions. He began to stammer something; but Patricia cut him short.
“Have it registered, please: and, Prout”—her eyes flickered to the
pistol on the writing-desk—“I thought you said you were fond of him!”
She was out of the room and down the stairs before the old man could
answer. He heard the rattle of her stick, the clang of front door
closing, as he stood by the window, pistol grasped gingerly in one hand,
unaddressed letter in the other. “I ought to have seen her out,” thought
the valet. “I ought to have seen her out.”
§ 3
Twice, as she climbed the meadow-path, Patricia wanted to turn back. She
had behaved like a lunatic. She had done two unpardonable things:
gossiped with a servant, interfered between a man and a woman. The
letter must not be sent—the letter must be destroyed. But Patricia did
not turn back. . . .
Among the haystacks in the field behind his cow-yard, old man Tebbits
was feeding his chickens. Patricia heard his quaint treble: “Come
birds—come birds—come birds”; came upon him suddenly as she rounded
the first rick. He plucked cap from head, said:
“Good-evening, missis.”
“Good evening, Mr. Tebbits.” She could see that old man Tebbits was ripe
for a gossip. He began to talk as he scattered the corn, and she stood
listening to him for a full five minutes. “Middlings was up again—and
bad. He never remembered them so bad. And the bran. You couldn’t really
call it bran. Same with the toppings. That gilt of hers would make a
fine sow. Store-pigs didn’t pay like they used to. Ten-week pigs didn’t
pay so bad. _He_ always killed ‘brokes.’ ‘Brokes’ was no good.”
Public-domain text, read in full here on John Shaqi.
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