“Melodrama!” she used to say to herself. “Melodrama! People don’t kill
themselves for love nowadays—they only kill for hate.” But intuition
warned her, every time she saw Francis, that he had determined on
suicide. She told herself that such a man was not worth saving, that he
was a weakling, a coward . . . but her mind never ceased to make excuses
for him.
“Supposing,” she used to argue, “that I had lost Peter and the
children—supposing that I were a cripple—supposing that I saw nothing
ahead of me but a dragged-out, sexless existence, wouldn’t I think of
Death kindly, look forward to it as a relief?” . . .
Again and again, she tackled him about his writing; again and again, he
gave her the same answer, “It’s a futile game, Pat. Futile! Books are
the most useless things in the world. The worst-educated agricultural
labourer does more good with his hoe in ten minutes than I can do with
my pen in a whole life-time.” “Then why not take a hoe?” Patricia used
to say. “Some of us can’t!” answered Francis Gordon. “We’re built to be
brain-workers—and brain-work doesn’t satisfy us. Besides. . . .”
Patricia knew too well the meaning of that “Besides,” of the downward
glance at his left leg, at the distorted boot and the crutch-stick,
which accompanied it. At such times, she was glad that she had written
to “that girl.” Perhaps, “that girl” would understand. . . . But January
passed; February opened with threats of unlimited submarine warfare;
threat turned to actuality—and still no word arrived from Beatrice.
“Why should she answer?” thought Patricia. “Why should she come? It was
a crazy letter to have written. Perfectly crazy!”
§ 3
February nineteen-seventeen darkled the shadow which had lain so long
across the world; but into those particular shadows which brooded over
the life of Patricia Jameson it brought a little ray of light.
Peter began to get better—obviously, perceptibly better. Already, rest,
freedom from constraint, and, above all, the “suggestions” with which
Heron Baynet had been feeding his damaged mind, told their visible tale.
There came periods—sometimes a bare ten minutes, sometimes an hour, and
once a whole wonderful afternoon—when he seemed his normal self. There
came nights when he slept beside her as a child sleeps—motionless, head
pillowed on arm.
At first, she could hardly believe. The sudden changes from ill-tempered
gloomy hypochondriac to ordinary human being bewildered her. It seemed
to Patricia as though there were two Peters; and she never knew, leaving
one Peter alone for a minute, whether she would find the other Peter in
his place on her return.
As a matter of psychological fact, there were—at this period in the
man’s career—not two Peters but at least five.
Public-domain text, read in full here on John Shaqi.
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